IN LIGHT OF A VERY BLUE MOON
IN LIGHT OF A VERY BLUE MOON
Norman Warwick simply follows the music
sleeve-notes
once just f***ing once is all that is asked
just once not twice not thrice blind mice running up a hickory dickory f***ing clock that has stopped that has lost its reason to tick tock tick tock tick tock taking stock;
one for the money two for the show three to get ready now go cat go somewhere down the crazy river where time still stands just once in a very blue moon to meet a cow with a crumpled horn playing the spoons in a rat tat tat of rapid fire falling like a life time in slow motion sea sick somewhere over the ocean writing letters home thoughts from abroad where they make boots of Spanish leather for iron maidens chastity intact but spirit broken into a million mirrored pieces
flying in the eye of the white witch living in the wardrobe with the lion with no name I mean mane I mean name whose name my name his name her name your name in the days of forced masking what’s in a name with no face to a man in an iron mask courting an iron maiden offering boots of Spanish leather with spurs clicking and clacking their way to the wildest show in town
broncos bucking lassoes flailing irons branding indelible masks forever the property of a broke-back cowboy from Baseball Mountain travelling on the way all cowboys travel on across an open range just a rider in the rain running for cover from the slings and arrows of outrageous fortunes lost to dice rolling rolling rolling keep those doggies rolling rawhide stretched out beaten tanned and shaped into boots of Spanish leather to dance me to the end of time or back to Boogie Street drinking and fighting drunk against the bottle until just once more over the rainbow he catches the end of a very blue moon keening gleaning gleaming grimly reaping sewing a stitch in time to save nine patching quilting comforting as part of a drunkard’s healing process
but still he rides for short money and for Katie and the Navajo Rug and always hits seventeen when playing against the dealer and when its rolling thunder out under the heaven he is singing Loco Gringo’s Lament riding a horse named Lame of course and there is a love that he will not name and there is a line that he will not cross and he’s never seen a sight that doesn’t look better looking back except maybe for the quarter moon on the golden
gate is open and its starting to kick and buck and kick and buck and fxxxxg kick and fxxxxxg buck and he is the rider on the poster of that old rodeo not some suited and booted urban cowboy with the dust sprayed on his boots holding on with one hand waving free to impress the mini skirted girls at cocktail hour before driving one away in his coupe de ville
pale rider
the unforgiven
hearing the coyote howling at the very blue moon just once to hear a response and call and response and call and response and call to those unanswered prayers that see him alone on a rock in the desert night waiting on another tequila sunrise to enlighten the moon quieten the moon whiten the
moon river wider than miles to go before he sleeps and he has promises to keep to bring to deliver to break into moon dust that would be some kind of proof but there ain’t no man in the moon and sure as hell there wasn’t no man on the moon where love is a fair-weather friend
blue moon of Kentucky to keep on shining so long as she is singing the juke box songs number eighteen with a bullet at the bluebird café where they all came from and go to and still end the new tunes with the audience rattling their jewellery to show whether they have passed the audition in some gladiatorial duel of the songwriters all of them wanting to write a song about the moon and searching for that
nickel moon, lover’s moon, hunter’s moon, harvest moon that
ding a dang ding a dang a ding dang a danga ding ding blue moon
blue blue blue moon
who knows just what they are there for
and that once, just f***xxg once is all that is asked
just once
not twice
not thrice
just once in a very blue moon
there’ll be love at the five and dime.
- for a track listing of songs referenced in this article, see below
tracks suggested by Once in A Very Blue Moon by Nanci Griffith
BLUE MOONLIGHT
a sidetracks & detours compilation
Three Blind Mice Nursery Rhyme
Somewhere Down The Crazy River Robbie Robertson
Home Thoughts from Abroad Robert Browning
Blue Suede Shoes Elvis Presley
Boots of Spanish Leather Joan Baez
Mason Dixon Line Jeff Wilson
Rider In The Rain Randy Newman
Rawhide Frankie Laine
Boogie Street Leonard Cohen
Spin Me Dreams Lendanear
The Navajo Rug Tom Russell
Nothing But A Summer Storm Lendanear
Loco Gringo´s Lament Ray Wylie Hubbard
Night Rider´s Lament Emmylou Harris
500 Miles Away From Home Bobby Bare
I Was Born Under A Wandering Star Lee Marvin
Quarter Moon On The Golden Gate John Stewart
Angel From Montgomery John Prine
The Theme From Urban Cowboy John Travolta
Cowboy In The Coupe De Ville Nitty Gritty Dirt Band
Pale Rider Theme Song Big Screen Orch
Cowboy And The Coyote Ian Tyson
Tequila Sunrise The Eagles
Moon River Andy Williams
Stopping By Woods Robert Frost
Man On The Moon REM
Lovie Is A Fair-weather Friend Colin Lever
Blue Moon The Marcels
Blue Moon Of Kentucky Bill Monroe
Eighteen With A Bullet Pete Wingfield
Song About The Moon Paul Simon
Harvest Moon Neil Young
Love At The Five And Dime Nanci Griffith
virtually collated by Norman Warwick
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