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We also heard these extraordinary compositiions from Cupeiro himself, which were inserted with so much fun and vigour, whilst at the same time somehow stepping unobtrusively in to the itinerary of this wonderful journey back to the beginning of the relationship between Mankind and music.
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You have that. You have the Black Panthers, you have Malcolm X, you have Martin Luther King and any number of ministers from the Civil Rights Movement and those things. And then later on comes Maya Angelou (left). a poet with such eloquence, who talks about all those things. Her cohorts, people like Oprah Winfrey and people like that who bring it about with a gentle touch. Unapologetically.
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Speaking for myself, I always have loved CCR music, with Lodi (a B side, for God´s sake) being one of the finest narrative songs I know and Fogerty´s solo offerings have always shared excellent production values.
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James Talley took me back to another time and place by introducing me to W. Lee O´Daniel And The Light Crust Doughboys, in a song I referenced, along with the aforementioned by Chip Taylor in my serialised book of the time, called Names Fall Out In Conversations, based on songs written by artists to commend other artists-
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Absolument, tous les ans, je réalise des ateliers avec des écoles.
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Science seeks to solve our fear of the unknown, to reduce the assumptions we make about the world. Art is a discipline where everything is possible! Our only brake is our imagination but in itself art is infinite where science is finite
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The LCO is one of the most prominent and acclaimed Lithuanian teams in the world. Since 2008, the renowned violin virtuoso Sergej Krylov has been its musical and artistic director.
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The nearly simultaneous movements for regional autonomy within Spain and the growth of a world music culture complicated flamenco’s relationship to Spanish national identity.
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I think the purpose of the material and style of the playing and performing by PielConPiel (Skin With Skin) is designed to encourage and generate wild imaginings.
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The curators of these projects are like lawyers in the court of public opinion, arguing that a certain artist, a certain movement or a certain phase of an artist’s career has been undervalued and overlooked.