The version of “Mrs. Robinson” in the movie employs what’s known as a “Bo Diddly beat,” which goes duh-duh-duh-dh-dh, or 1-2-3-4-5. The final version for the movie, which was completed on February 2, 1968, was released three months after the film came out. In it, a louder and more staccato bass drum can be heard along with splashy cymbals.

At first glance Jerry looked like a record executive stereotype, with slightly greying black hair, mustache and goatee, and black-rimmed glasses (which he was constantly exchanging, and peering over the top of), but a closer look at his “mod” dress (turtleneck sweater/shirts with his jackets) and his distinct New York accent (Washington Heights) laced with musicians’ slang, and there was no mistaking that the man you were talking to was the head of Atlantic’s A&R.

I feel we’re affording less value to music, and that our culture is being let down by governments and institutions. I’m sure that if you ask any consumer who loves an artist, they would want that artist to be paid, but it’s not the consumers who decide what Spotify pays artists. The problem is with the middleman, and that’s what needs to change. You don’t go up to an ice cream vendor, ask for six ice creams and walk away without paying, but that’s how the tiny royalties from streaming feel. As we’re moving into a more digital age, it has to become a safe space for professionals to not be taken advantage of. Creativity must be properly rewarded´.