THE MUSIC THAT MATTERS
Stewarts´s musical journey in song, says Tina Benitez Eves, stretches from one of the greatest entertainers of the 1920s through a late ’50s rock and roll pioneer, the soul of the 1960s, and a few contemporary artists.
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Stewarts´s musical journey in song, says Tina Benitez Eves, stretches from one of the greatest entertainers of the 1920s through a late ’50s rock and roll pioneer, the soul of the 1960s, and a few contemporary artists.
as a culture, we are bizarrely obsessed with the “truth” behind our favourite fictions, ever desperate to unpick inspirations, infiltrations, author’s disguises, and yes, muses—though whether this is a particularly useful way to evaluate art or not is up for debate.
teaching us how to ´´not only hear music but also how to liten to it.
Delmark is this year celebrating its long run with a new, single-disc compilation, Delmark Records 70th Anniversary Blues Anthology. Bob Koester founded the label (originally named Delmar) as a 21-year-old kid in St. Louis. But it became much more than a sideline when he moved to Chicago in 1958, opened the legendary store known as the Jazz Record Mart, and expanded his label.
Some people really like the transporting nature of experimental prose or spare autofiction, but when I want to fully peace out of reality, I like being dropped into another life entirely, one that feels as rich and detailed as possible. The Marriage Plot by Jeffrey Eugenides was a comforting reread lately, because the scenes have the quality of life. Anywhere But Here by Mona Simpson is comforting for the same reason, a fictional world that is so tightly woven that it blots out the actual world.
If you’re looking for a first-hand account of Jennings’ journey from a burgeoning, polished rock and roll artist to a country music superstar, this 2009 memoir is an essential read. Waylon: An Autobiography recounts many of Jennings’ most difficult life chapters, from the loss of his close friend Buddy Holly to his struggles with addiction. It also serves as a tribute to Colter, who helped inspire him to improve his life.
Capote´s distinctive, high-pitched voice and odd vocal mannerisms were bought to life in Philip Seymour Hoffman’s Oscar-winning portrayal of him in the 2005 movie, Capote.
McCormick died in 2015, a poor, unhappy man unable to let go of his Johnson manuscript or the “Monster.” Now that the book and the field recordings have been released, we know more about Johnson and Texas blues, but we are still left with burning questions. The biggest question of all is what might have happened if Johnson’s life had not been cut so short and he had lived to become a crucial figure in the tumultuous changes in American music during the 1940s and ’50s. In a forthcoming Curmudgeon Column, we will try to provide an answer.
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this is the most in-depth exploration of Prince’s songs ever written
