sidetracks & detours: Sunday 8th November 2026, company statement + *NEW SERIES* * Iconic Small Americana Venues by our americana correspondent, PETER PEARSON
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sidetracks & detours is a non-profit volunteer community group based on Lanzarote .We heavily champion creative arts events and activities that encourage and enable participation across the whole community of the island
More than that, though, we inform our blog readers of creativity and creatives across all genres from the local to the global with a strong focus on promoting the arts to support individual and community wellbeing, mental health, and resilience as well as for pure enjoyment. We support Lanzarote parliament that encourages the enablement and inspiration of people to engage with and join the community, not only in The Canary Islands, but also around the world.
sidetracks & detours
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Publishing news, interviews, previews, and reviews every Sunday morning on line enjoying synergies with The Rochdale Observer, online on In Your Area and via the All Across the Arts website across social media plus a quarterly column in Rochdale Style Magazine.
In addition to a strong following in the local Lanzarote press and across the UK, we enjoy a worldwide readership including from countries such as USA, Canada, Spain, Portugal,, France, Israel, South Korea and Australia.
sidetracks & detours has one fundamental none-negotiable philosophy : Our articles deliver positivity as we give readers what we truly believe is worthy of their attention and would inspire involvement and engagement.
Our venture is led and curated in his retirement by Norman Warwick, freelance journalist, arts columnist, poet, author and creative writing facilitator supported by Peter Pearson delivering regular articles.
sidetracks & detoiurs, is in talks about publñishing a print format book of the best of the more than 2,000 pieces in our free to read and easy to negotiate archives.
It is intended as a book on general sale to the public but perhaps also to be made available to all the schools and libraries on Lanzarote as it is effectively a history of the changes to the island since the advent of tourism here in the sixties.
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ICONIC SMALL AMERICANA VENUES
1
NEW SERIES © by Peter Pearson
Iconic Small Americana Music Venues:
THE STATION INN
The Station Inn, like The Bluebird Cafe, is one of those americana music venues that not only attracts locals but Americana-music loving visitors to Nashville from all over the world. So many albums include in their title, Live From The Station Inn. Whilst it has a reputation for bluegrass, all shades of americana music are performed there.
It is a dedicated music listening room and unlike loud commercial bars or party venues on Lower Broadway, the audience at The Station Inn is expected to remain quiet, keep conversations to a minimum, and give full attention to the performers on stage.
The Station Inn opened in 1974 when a group of six bluegrass pickers and singers decided that Nashville needed a stage to jam. There were a couple of bluegrass clubs in town with a house band that played but the six thought that their venue should have not only have a house band but also always be open to new pickers to come in and join in the fun.
It was originally located near Centennial Park and Vanderbilt University. The owners themselves became the house band, providing entertainment on a regular basis and drop-ins were always welcome. The atmosphere was much like that of a coffee house. The local college students who were into bluegrass frequented the club. It soon became the gathering place for bluegrass performers and fans at a time when the genre was gaining in popularity.

By 1978 the venue was too small to meet the demand and it was relocated to its current location in an area of Nashville known as The Gulch, about five minutes walk from Music Row. One of the regular pickers was J T Gray. In 1981 the owners decided to sell the club and approached J T to see if he might be interested. It was the start of an ownership lasting 40 years until his death in 2021.
J.T. saw owning the Station Inn as an opportunity to have something of his own, and a way to be more into bluegrass music without having to be out on the road all the time with his own band. He initially stayed with the same format but about a year later, he had an opportunity to feature a band called The Bluegrass Cardinals. They played to a capacity crowd. It was the beginning of a trend of getting more name bands in along with local bands. It brought a variety of acts that people around Nashville couldn’t see and hear unless they went to festivals two or three hundred miles away. J.T. began booking well-known and local bands every night, with his band, The Nashville Skyline, filling in the gaps when necessary. He also offered an open jam session on Sunday nights.
In the early years J T drove a tour bus during the day in order to keep the doors open but by the mid 80’s the venue began welcoming sold out shows, with regular performances from bluegrass legend Bill Monroe, among others. Its proximity to the Grand Ole Opry building helped it attract many of the visiting artists in town for the show.
The club became the place to go to hear the finest Bluegrass had to offer, and a place for new and established bluegrass bands to increase their exposure to dedicated fans.
The Station Inn is a stone one storey unprepossessing building seating about 175. Inside it is spartan and old school.
Many patrons opt for buckets of bottled beer and servings of popcorn in preference to fancier fare. Hard liquor is banned.
The Gulch area near downtown Nashville has over the years been transformed into a glitzy stretch of expensive rental properties, high-end hotels and swanky shops and restaurants. The Station Inn nestles amongst it unchanged as a stark reminder of the areas past but
the developers are happy for it to remain there as one of the last historic music venues remaining.
Over the years it has hosted all the famous names in bluegrass and americana,

Townes Van Zandt, Alison Krauss, Guy Clark, Nanci Griffith, Gillian Welch, Peter Rowan, Sam Bush, Steve Earle, and Del McCoury have all given gigs there. The late John Prine (right) played there as well as Ricky Scaggs and newcomers Billy Strings and Molly Tuttle.

Live albums have been recorded there by the likes of Darrell Scott (left), Vince Gill and his Time Jumpers, Shawn Camp, and The Steeldrivers.
In response to the COVID-19 pandemic shutting down live indoor concert crowds, the venue launched Station Inn TV, an online subscription and live-streaming platform. The experiment allowed the club to broadcast live-streamed and on-demand archival concerts to global fans. It featured roughly 450 on-demand shows and attracted paying subscribers across 18 countries, which J.T. Gray and the team credited with keeping the historic venue afloat during extended lockdowns.
Once live music fully returned and the venue began regularly selling out its 175-seat room again, the heavy operational reliance on streaming was discontinued.
In 2020 J T was inducted into the Bluegrass Hall of Fame. He died in 2021 aged 75 having made a massive contribution to the bluegrass community. New management pledged to continue to operate the venue in exactly the same way as JT.
As the Gulch area has become gentrified the venue now sits on prime development land. However, in spite of tempting offers to sell out, the new owners have refused to do so.
Jonathon Ulbrich, one of the new owners says:
Everything’s geared towards corporate America. I’m not opposed to change as long as it doesn’t alter the authenticity music fans get to experience. The fact that we’re still here is kind of mind-blowing.

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