Author Archive for: Norman

Vampire Weekend also riffs on their own past cleverly with “Mary Boone,” an update on their choral ballads named for the influential gallery owner imprisoned for offenses connected to tax fraud, and “The Surfer,” which continues the legacy of Modern Vampires of the City’s “Hudson” with its mournful allusions to famous waters (in this case, the Water Tunnel 3 project). The band balances all of this looking back with a significant step forward: making peace with the existential questions they raised on their previous albums. Nowhere is this move towards acceptance more apparent than on the closing track “Hope.” Steady where the rest of the album is volatile, its eight-minute litany would be crushing if it wasn’t for the liberation Koenig finds in admitting “Our enemy’s invincible/I had to let it go.” Similarly, the ease with which the band raises the bar is equally impressive and appealing. Only God Was Above Us isn’t just a great album in its own right — it’s one that enriches the understanding of Vampire Weekend’s entire history.