{"id":3570,"date":"2020-12-09T08:23:08","date_gmt":"2020-12-09T08:23:08","guid":{"rendered":"https:\/\/aata.dev\/?p=3570"},"modified":"2020-12-09T08:23:10","modified_gmt":"2020-12-09T08:23:10","slug":"before-the-tourists-came","status":"publish","type":"post","link":"https:\/\/aata.dev\/index.php\/2020\/12\/09\/before-the-tourists-came\/","title":{"rendered":"BEFORE THE TOURISTS CAME"},"content":{"rendered":"\n

BEFORE THE TOURISTS CAME,\u2026.AND WENT<\/strong><\/p>\n\n\n\n

by Norman Warwick<\/strong><\/p>\n\n\n\n

\"\"
Rub\u00e9n Acosta<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Rub\u00e9n Acosta, holds a degree in Audio-visual Communication and a Master’s Degree in Photography and Cultural Engineering. He is a freelance photographer and cultural manager. As an internationally awarded artist, he has exhibited at events such as PhotoEspa\u00f1a, Art Lisboa and Madridfoto, and his work is part of collections of national museums. He works as a commercial photographer in his own studio and directs different cultural projects. He is also a partner in a prestigious publishing house on Lanzarote.<\/p>\n\n\n\n

His partner, Mario Ferrer, certainly sounds similarly qualified to be involved in the quality factual books their company publishes. Mario is a PhD in Information Science and the holder of a degree in Art History.<\/p>\n\n\n\n

\"\"
Mario Ferrer<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

\u00b4These are very tough times for the world of book publishing and more so when it comes to small publishers,\u00b4 admits Mr. Ferrer.<\/p>\n\n\n\n

\u00b4So in Remote Editions we have decided that if we are reaching and end, then we had better die publishing… Five new titles by the artist Santiago Alem\u00e1n, complete a series of 8 island titles dedicated to each of the islands of the archipelago. We have also reissued, after two years of being exhausted, his magna work, Traditional Architecture Of The Canary Islands. A Tour Through Drawing. In addition, we created a special offer for the Day Of The Canary Islands,  on 30th<\/sup> June 2020- Why not come to our website to find details?\u00b4<\/p>\n\n\n\n

You can do so by visiting http:\/\/www.edicionesremotas.com\/catalogo<\/a><\/p>\n\n\n\n

Ediciones Remotas is a publishing house dedicated to different cultural fields: photography, history, art, literature, design… Based in Lanzarote, and directed by Mario Ferrer and Rub\u00e9n Acosta, this publishing house was born in 2012 with the idea of making independent publications, related to photography, history, art literature and design<\/p>\n\n\n\n

However hard times might be, though, with covid and closures and lock downs and financial cuts Mario Ferrer maintains that \u00b4It is a pleasure to edit works of this quality.\u00b4<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Some of the very first photographs ever taken on the island are reproduced in the latest book to be added to the Ediciones Remotas catalogue of books. Images in 100 Years Of Photography In Lanzarote, 1850 To 1950 for the most part pre-date tourism on the island, without necessarily anticipating its arrival. The book therefore offers a fascinating insight into the islanders and their social customs as well as their economy before all those things were, perhaps, re-shaped by the influx of tourists from all over the world.<\/p>\n\n\n\n

“The pictures speak…” Thus begins this video that gives us an introduction to the book “Photography in Lanzarote: 1850-1950” written by Mario Ferrer Pe\u00f1ate, and where the first 100 years of the history of photographic art on the island are narrated. You can see this now on Mario\u00b4s facebook page at https:\/\/www.facebook.com\/mario.ferrerpenate<\/a><\/p>\n\n\n\n

Ferrer served as the co-ordinator in charge of digital archives of Lanzarote (see memoriadelanzarote.com) for ten years until 2017.<\/p>\n\n\n\n

He is, therefore, an experienced historical researcher and his enthusiasm is contagious. Press coverage often refers to this contagious enthusiasm when he describes the photographic legacy included in the new book. He also speaks passionately about some of the photographers, like Javier Reyes, he feels privileged to have met whilst compiling the book.<\/p>\n\n\n\n

He speaks excitedly, too, about the surfeit of fascinating information he uncovered whilst writing the book and says he feels sure there will be more books to follow.<\/p>\n\n\n\n

Such history is, of course, a perpetual well-spring and there is no doubt this book, or perhaps series, about Lanzarote pre-tourism could lead to a series covering Lanzarote during the years of tourism up to the emergence of covid, and perhaps even to a further series about how Lanzarote adapts, one day soon we hope, to a re-shaped and revitalised tourist sector.<\/p>\n\n\n\n

It is likely that the publishing company will also release new titles about each of the other Canary Islands written by other authors.<\/p>\n\n\n\n

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by Larry Yaskiel<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Like Larry Yaskiel\u00b4s earlier work, about fascinating historical connections between The British Isles and The Canary Islands, this book is published with Spanish and English text side by side. Larry is the honorary editor of Lancelot, a quarterly glossy magazine that serves tourists to the island, with constantly interesting overviews on life here on Lanzarote. The current Winter 2020 edition contains one of Larry\u00b4s own articles about the strange, enchanting and mystical area that incorporates the island\u00b4s volcano fields. We drive through the area most weeks and love to see the sun change the colours on the mountain sides, giving them an appearance of being built of shifting sand and Larry\u00b4s piece tells us not only the cultural significance of the area but also captures that strange trick-of-the-light pehnomenon.<\/p>\n\n\n\n

It is admirable that 100 Years Of Photography In Lanzarote is the first title to be published in accordance to the template established for eco-publishing, brought in by The Ministry Of Ecological Transition.<\/p>\n\n\n\n

Among other photographers included in the anthology are Camilo Gonzales, Jacinto Alonso Martin, Maria Lasso and Candido Aguilar as well as some who visited from overseas and then settled here for the most of their careers such as Aquiles Heitz.<\/p>\n\n\n\n

Whether indigenous or re-patriated here, these photographers were pioneers of new technology who also often viewed their subject matter from new perspectives. They caught some of the very earliest images of Lanzarote, revealing an island in transition and in a race towards modernity, that show and tell us of the tumultuous changes the island underwent during a period of a hundred years that brought rapid, incredible and almost unimaginative social, cultural and economic change.  <\/p>\n\n\n\n

When similar enforced change was laid upon the island during the volcanic eruptions of the seventeen hundreds the stoicism and determination saw the islanders somehow dig deep and fight back, almost literally, by embracing nature rather than raging against it in much the same way as they would (gratefully) later embrace tourism.<\/p>\n\n\n\n

Of the book\u00b4s 140 images, many have never before been published. To see how Teguise looked in 1895 is still astonishing, although even by 1985<\/u><\/em>, it was still looking very different, and somehow more remote, than it does today. The Port Naos area of Arrecife, in an image from 1920, lends no clue to what the place has now become, and a picture of  the salt pans at Salinas de Janubio, taken in 1940, fifty years before Ildefonso Aguilar landscaped Manrique\u00b4s vision of the way that bay looks today, makes for fascinating browsing.<\/p>\n\n\n\n

Anyone who has re-patriated here to Lanzarote would welcome the book as a remarkable gift, and those of us who have left family members, whether they have ever visited here, or not, will gain a huge insight into the place you now live. The book is now available in bookstores on Lanzarote, and there aren\u00b4t too many shopping days left to Christmas ! <\/p>\n\n\n\n

So why not treat yourself or someone you love to a copy of \u00b4Photography in Lanzarote: 1850-1950 Ferrer Pe\u00f1ate, Mario \/ Ferrer Pe\u00f1ate, Mario<\/a><\/strong>: Photographs: collections<\/a>\u00a0Canary Islands.<\/a> Translated by Samantha Coker<\/p>\n\n\n\n

It is a reflection of the island before the boats and planes brought tourists to our island until covid saw them all returning home.<\/p>\n\n\n\n

The island misses them and needs them to return., and this book shows us just what we have to offer them whilst also reminding us of the economic growth and awareness of modernity they gave us in return.<\/p>\n","protected":false},"excerpt":{"rendered":"

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