{"id":3112,"date":"2020-10-27T08:33:33","date_gmt":"2020-10-27T08:33:33","guid":{"rendered":"https:\/\/aata.dev\/?p=3112"},"modified":"2020-10-30T10:38:49","modified_gmt":"2020-10-30T10:38:49","slug":"not-going-out-not-staying-in","status":"publish","type":"post","link":"https:\/\/aata.dev\/index.php\/2020\/10\/27\/not-going-out-not-staying-in\/","title":{"rendered":"NOT GOING OUT & NOT STAYING IN"},"content":{"rendered":"\n

NOT GOING OUT & NOT STAYING IN<\/strong><\/p>\n\n\n\n

a coronavirus conundrum chewed over by<\/strong><\/p>\n\n\n\n

Norman (not going out) Warwick & Steve (not staying in) Bewick<\/strong><\/p>\n\n\n\n

Norm.        Last time I saw you, Steve, was at a Baum zoom poetry reading,\u2026.. I\u00b4m not sure how that worked. I felt safe and virus-protected, I suppose, but it felt difficult to generate any atmosphere, really and I\u00b4ve heard one or two others say the same sort of thing.<\/p>\n\n\n\n

Steve.         Yes, my sentiments exactly. It\u2019s a strange aura that lingers over Zoom conferencing. Its live, there is audience, but who the heck is talking and what\u2019s the protocol to chip in and say something? As an audience member I\u2019m used to looking at the back of my colleagues heads, not their faces staring back at me. But, these are strange time indeed Norman, and getting stranger by the day.<\/em><\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Norm.    It was fantastic that the Baum guys and girls got together from the safety of their own homes, and I believe there all sorts of zoom events are now planned by the Rochdale writing community, so good luck to them. It\u00b4s tough, though, deciding whether to stay in or go out, and if I\u00b4m honest this flipping virus has got me singing the theme tune of the Lee Mack (left)<\/strong> comedy series. The lyric says they\u00b4re not going out, but when you hear all the words, they seem less certain. Let\u00b4s have a listen.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Play Not Going Out<\/strong><\/p>\n\n\n\n

Director Alex Hardcastle wrote that catchy Not Going Out <\/em>theme song. Lee Mack wanted it to sound like Frank Sinatra, so they got Stephen Triffitt, a well-known sound-alike artist, to sing it. Triffitt played Sinatra in the original West End production of The Rat Pack: Live from Las Vegas, <\/em>as well as in the U.S. tour Broadway Across America. <\/p>\n\n\n\n

That\u00b4s just how I feel, we\u00b4re not going out, we\u00b4re not staying in ! What about you, mate, what piece of music sums up quarantining and social distancing for you?<\/p>\n\n\n\n

Steve         <\/em><\/strong><\/p>\n\n\n\n

I remember going out Norman, out to the cinema, out to the theatre and out to the concert halls. Top of my list was always the jazz clubs.<\/em><\/p>\n\n\n\n

Jazz is a kind of music in which improvisation is typically an important part. In most jazz performances, players play solos which they make up on the spot, which requires considerable skill. There is tremendous variety in jazz, but most jazz is very rhythmic, has a forward momentum called “swing,” and uses “bent” or “blue” notes. You can often hear “call and response” patterns in jazz, in which one instrument, voice, or part of the band answers another. Jazz can express many different emotions, from pain to sheer joy. In jazz, you may hear the sounds of freedom, for the music has been a powerful voice for people suffering unfair treatment because of the colour of the skin, or because they lived in a country run by a cruel dictator<\/em><\/p>\n\n\n\n

So, I have of late been beavering away on face book seeking new contacts, fellow supporters of jazz, jazz clubs and jazz groups. I think post corona virus I have a readymade list of new music, places and friends to see.<\/em><\/p>\n\n\n\n

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Jill Torvany<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Let me start by taking you North. Norman. So far north that England becomes a blur and the views are of the seas off the coast of Aberdeen. There I would find Jill Torvaney, Musician, jazzer, teacher, songwriter and mother of boys and cats.<\/em><\/p>\n\n\n\n

play After The Rain by Jill Torvaney<\/strong><\/p>\n\n\n\n

Jillrecently sent me three of her CD\u2019s which I expect to be featuring soon on my jazz show.<\/em><\/em><\/p>\n\n\n\n

There is also a very good jazz club up there at Langtoun, Kirkcaldy, I\u2019m told. Perhaps it\u2019s the most Northerly Jazz club in the UK. That\u2019s where I met <\/em>Stephan Aengus O Goodson<\/em>, singer, composer and teacher who has the most delightful voice. He impressed me with his tribute to Oscar Wild recently with, ` Green Carnations` from his Blue Butterflies EP. He is currently working on a new to be release CD to be called, ` Dream Keeper`. The first track is available now which has a very Latin vibe and can be found iTunes, Spotify and Amazon.<\/em><\/p>\n\n\n\n

Norm         You see, I\u00b4m into all this moody singer songwriter stuff, and I don\u00b4t think that\u00b4s helping my mood. Of the singer-songwriter brigade, storied septuagenarian master Randy Newman lays down a witty piano blues miniature in \u201cStay Away\u201d (\u201cStay away from me \u2013 words of love in times like these\u201d).<\/p>\n\n\n\n

play  Stay Away by Randy Newman<\/strong><\/p>\n\n\n\n

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Randy Newman<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Randall Stuart Newman (born November 28, 1943) is an American singer-songwriter, arranger and composer known for his Southern-affected<\/a> singing style, early Americana<\/a>-influenced songs (often with mordant or satirical lyrics), and he\u00b4s well known, too, for several film scores he has written. He\u00b4s not jazz, but is a generic musician who echoes all sorts of influences. Your listener-base will probably know him for Short People<\/a> but other artists have enjoyed more success with his songs than he has. Mama Told Me Not to Come<\/a> was a hit as long ago as the sixties for Three Dog Night and a few years later Tom Jones had a smash hit with You Can Leave Your Hat On<\/a> (1972).<\/p>\n\n\n\n

Back in the seventies when I lived over in your neck of the woods, I used to be playing in folk clubs seven nights a week, and there used to be a good solo performer, called Jim Schofield, who ran several club nights out Staleybridge way, and he used to sing Randy Newman\u00b4s song Rider In The Rain, and always did it beautifully, laden with pathos. if Jim was playing somewhere down the road right now, I might riskj stepping outside to go and see him . I reaaly liked him,.<\/p>\n\n\n\n

Anyways, Newman has received twenty-two Academy Award<\/a> nominations in the Best Original Score<\/a> and Best Original Song<\/a> categories and has won twice in the latter category, He was inducted into the Songwriters Hall of Fame<\/a> in 2002 and to the Rock and Roll Hall of Fame<\/a> in 2013.<\/p>\n\n\n\n

Still, Newman was telling me to stay away,\u2026stay at home. So what is your music telling you?<\/p>\n\n\n\n

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Linley Hamilton<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Steve<\/strong><\/p>\n\n\n\n

Its not so much the music but the voodoo in my twitchy feet for traveling Norman.  After that trip into Scotland I\u2019m heading westward to the North of Ireland, Dromara, where I have a jazz friend who is Doctor of Music, musician and broadcaster on Radio Ulster. I\u2019m told that the Limerick jazz festival (virtual) is on this week of writing so I must check it out. Not least of all is because he is playing. Here is a clip of Linley talking of his new album.<\/em><\/p>\n\n\n\n

play <\/strong>:14: For The Record, a promo by Dr. Linley Hamilton  <\/p>\n\n\n\n

Norm    Another heartfelt song that speaks to me is \u201cQuarantine Queen\u201d by Brit singer Sin\u00e9ad Harnett, a rueful isolation-recorded R&B-tinted slowie regretting life passing by, unfulfilled, with a chorus that runs, \u201cWhat a time to be alive \u2013 are we all just pretending that the world isn\u2019t ending?\u201d<\/p>\n\n\n\n

play Quarantine Queen by Sin\u00e9ad Harnett<\/strong><\/p>\n\n\n\n

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Sinead Harnett<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Sinead Harnett I know the topic isn\u00b4t great, but I do like that song, and until we started putting this playlist together I\u00b4d never heard of her. However I now know that she is signed to Warner Chappel music who publicise her material as being an intoxicating blend of laid-back feather\u00b4-light soul, 90s-referencing R&B bangers and delicately swooning slow jams, all tied together by a versatile voice that coaxes and teases one minute and delivers a withering put down the next minute. She sounds like my kind of girl, and I\u00b4ll definitely be looking up some more of her work. Meanwhile, I suppose your jazz voices are still calling you out to play?<\/p>\n\n\n\n\n\n

Steve <\/strong><\/em> Oh indeedie do Norman.  From the North of Ireland I would cross the seas again, this time to Cardiff in Wales. Here I have found jazz in a Cardiff group administrated by James Kilby Chadwick. James is also a musician in his own right. James prefers the jazz guitar rhythms and composes his own tunes.<\/em><\/p>\n\n\n\n

Going for 9 years now since 2011 a big feature of their group is giving space and support to local musicians in the area during the lockdown by giving them a solo spot to showcase their instrumental and vocal sounds.<\/em><\/p>\n\n\n\n

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Sonny Rollins<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

During my times of visiting the site I have been entertained with St. Thomas, credited to Sonny Rollins as its composer, the tune is based on the traditional English song The Lincolnshire Poacher by way of the folk process, “The Lincolnshire Poacher” evolved into a nursery song in the Virgin Islands, which is where Rollins’ mother would have sang it to him when he was a child. This was presented by Matthew Lovett on double bass to great effect.<\/em><\/p>\n\n\n\n

An unusually named track simply called ‘A’, was discovered by Tomos Williams, first heard on the brilliant Loose Tubes album ‘Open Letter’ back in the 90s. It’s composed by the trombonist John Harborne. There’s another version of it by Iain Ballamy and his band Food on their first album. Tomas can be found performing it on his horn with a delicate introspective feel about it.<\/em><\/p>\n\n\n\n

My third example was presented as the jazz equivalent of South Wales\u2019s Posh and Becks. Also known as Craig Webb and Bluesy Susie, they performed, That Old Black Magic is a great tune from 1942 and was beautifully delivered from a duo that shows all the benefits of working together regularly. The duo is a band in the true sense. The interplay grooves. The warmth is clearly evident from note one to the last moment of this performance. This I found to be a fine combination of guitar and vocals which can be heard on this link<\/em><\/p>\n\n\n\n

Play That Old Black Magic by Craig Webb and Bluesy Susie<\/strong><\/p>\n\n\n\n

Norm<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

The funny thing is, when I used to be going out to gigs, and theatres and restaurants I actually used to love getting home, often i friends, when we\u00b4d pick up fish and chips on the way home or a pizza or whatever. We\u00b4d put some music on and have a great time. It was madness,\u2026..well, kind of, it was a house of fun.<\/p>\n\n\n\n

In fact, that sums it up for me, \u2026”House of Fun” is a song by English ska\/pop group Madness<\/a>, credited to Mike Barson<\/a> and Lee Thompson<\/a>. <\/p>\n\n\n\n

It was released as a one-off single on 14 May 1982 and reached number one in the UK Singles Chart<\/a>, spending nine weeks in the charts. The song was re-released in 1992, reaching number 40. It is the band’s only number one single in the UK and in 2015 the British public voted it as the nation’s 8th favourite 1980s number one<\/a> in a poll for ITV<\/a>.<\/p>\n\n\n\n

play  House Of Fun by Madness<\/strong><\/p>\n\n\n\n

Steve<\/strong><\/p>\n\n\n\n

Well you gone and said the food word Norman . . . . .  Pizza. After a jazz welcome in the Welsh capital I have to take my leave for Italy. In the virtual company of Eleonora Gelichi and Luciano Severini who between them have raised my jazz expectations to new highs over our collective lockdowns. As also a fan of Opera and Puccini in particular I had high hopes of the Italian jazz scene. I was not disappointed.<\/em><\/p>\n\n\n\n

Whilst the Americans introduced the syncopated sounds of jazz into France in the first world war the Italians had an even earlier taste of the new music from across the Atlantic when a group of “Creole” singers and dancers, billed as the “creators of the cakewalk” performed at the Eden Theatre in Milan in 1904. The first real Italian jazz orchestras and ensembles however, were formed during the 1930s by musicians such as Arturo Agazzi with his Syncopated Orchestra and Carlo Andreis with his Quartetto Andreis (CETRA, 1937-1941), enjoying immediate success.  In spite of the anti-American cultural policies of the Fascist regime during the 1930s, American jazz remained popular. (Even Romano Mussolini, Benito’s son, was a great jazz fan and then prominent jazz pianist.) Also, in 1935, American jazz great Louis Armstrong toured Italy with great success.<\/em><\/p>\n\n\n\n

Should I make it to Italy I am torn between Genoa and Tuscany for their jazz scenes and natural beauty.<\/em><\/p>\n\n\n\n

Either way I would just love to catch a live performance of Il Pescatore where Aldo Ascolese sings Fabrizio De Andr\u00e8, a fishy tale from the Italian folk traditions, beautifully executed by this lively twelve piece band. Recommended to me by Luciano and included in a recent broadcast.<\/em><\/p>\n\n\n\n

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Maybe even get myself a ticket for the Umbria jazz Festival 2021?  Piece of Pizza Norman?<\/em><\/p>\n\n\n\n

play Il Pescatore by Aldo Ascolese canta Fabrizio De Andre<\/strong><\/p>\n\n\n\n

Norm<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Norm my party days are over,\u2026..,I\u00b4m telling you, I don\u00b4t want to live in a House Of Fun anymore. All those people coming and going and parties every night,\u2026.I\u00b4n like a nice house out in the country, in the woods where nobody would visit it. Like that one Graham Nash used to share with Joni Mitchell,\u2026.remember him, the lad from Manchester, played with The Hollies and left them to join Crosby and Still and add a Nash) I\u00b4d like a house like theirs,\u2026.I\u00b4d call it Our House<\/p>\n\n\n\n

play Our House by Crosby Stills and Nash<\/strong><\/p>\n\n\n\n

Steve        <\/strong><\/p>\n\n\n\n

Party days are over? Where\u2019s that travelling spirit Norman? Flex those legs and follow my lead my man.<\/em><\/p>\n\n\n\n

It is goodbye Italy and hello Hanoi Jazz Lovers, a group of passionate jazz fans supporting, promoting and simply enjoying the Vietnamese jazz scene. Talking to Hoang Minh Chau , or Chloe to her friends. I\u2019m told there is a healthy home grown jazz scene developed under the influence of colonial rule of the French and later visiting American jazz musicians during the American war. <\/em><\/p>\n\n\n\n

Here, I hope to be guided through the multiple jazz clubs and venues that are available in the city of Hanoi by Chloe, administrator of the group. Their Facebook page indicates a listing of some 17 jazz venues with tempting names as, `The Cool Cats jazz club` and the `Turtle Lake Brewing Company.` The latter holds regular Monday swing nights with the Hanoi Lindy Hop. So I better pack my dancing shoes Norman.<\/em><\/p>\n\n\n\n

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Binh Minh Jazz Club, Vietnam<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

There is also highly recommended the Binh Minh Jazz Club, the oldest jazz club in Vietnam and Tadioto which also comes with great references<\/em><\/p>\n\n\n\n

On discovering Vietnamese Jazz I was pleasantly surprised that they were all taking about my old friends from Manchester, Go Go Penguin. Also from the UK, a band who should have been touring there currently is The World Service Project, a punk\/jazz outfit based in London, UK. <\/em><\/em><\/p>\n\n\n\n

But it\u2019s not all a one way street for Jazz in the country. Vietnam has included jazz as a major within a Bachelors of Art in Music and performance with the establishment of the jazz department at Vietnam National Academy of Music since 2015. Vietnamese jazz musicians have now performed outside of Vietnam in Sweden, Denmark, Singapore and Malaysia. It\u2019s time to start taking notice of this new jazz scene. Chloe has a new project on the go and I hope to include parts of that in future broadcasts and a further piece for Side tracks and Detours. <\/em><\/em><\/p>\n\n\n\n

play Lindy Hop – Follow To Lead by Swing Dance Hanoi<\/strong><\/p>\n\n\n\n

Boy can they dance in Hanoi. By the way Norman how\u2019s my travel budget going? Or am I virtually spent up?<\/em><\/p>\n\n\n\n

Norm? Norm? He always disappears when I talk about money !<\/em><\/p>\n\n\n\n

Still,\u2026.it looks like I\u00b4m on my own for the moment. With just one journey to make before its home for tea.<\/em><\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

May as well carry on around the globe and stop off at New York City and Smalls Jazz Club. Here they have been able to keep the jazz going with the generous donations of their supporters local and afar. This has been a nightly jazz performance to a club devoid of an audience, but streamed around the USA and the world beyond. In a recent newsletter from the clubs proprietor, Spike Wilner, who also plays a mean piano with visiting musicians, reported rather eeryly that<\/em> <\/p>\n\n\n\n

\u201cLast night, after putting my daughter to bed, I decided to walk down to Smalls and practice some piano.\u00a0 This was around 10PM and the city was deserted.\u00a0 I got to the dark club and, using the flashlight on my phone, turned on the stage lights.\u00a0 Smalls at 10PM, Saturday night – deserted and empty.\u00a0 When you\u2019re completely alone down in the club the feeling is eerie.\u00a0 Those that know the clubs know that both are haunted by ghosts.\u00a0 Just recently, a plumber working alone at Smalls ran from the club terrified when he saw a ghost coming from the backroom. He quit the job and refused to return.\u00a0 I\u2019m not afraid of them, though \u2013 it\u2019s my damn club. Anyway, most likely it\u2019s some old musician haunting the place who doesn\u2019t realize his time has come and gone.\u00a0 I sat there in silence at the bar.\u00a0 In my mind\u2019s eye I remembered the Smalls of yore, the revelry, the friends drinking and meeting, our hard working staff, the stage on fire with some amazing band and a packed audience of overjoyed jazz fans communing to the rhythm of our vibe.\u00a0 Then it dawned on me, I\u2019m the ghost!\u00a0 (I am) the last of my kind, sitting alone in the dark, the lonely spectre, the ghost of jazz clubs past.\u201d<\/em><\/p>\n\n\n\n

Well let\u2019s hope it does not come to that Norman. Shall I call in for coffee on the sea front of Playa Blanca, Lanzarote, on my way back? I can drop off my expenses claim with you while we catch up.<\/em><\/p>\n\n\n\n

Norm         So long as you\u00b4re masked, and gloved up. Actually I\u00b4ve seen your expense claims before,\u2026.so wearing a mask and gloves like a burglar might be appropriate !<\/p>\n\n\n\n

That said, It has been a pretty quick world cruise this week. We set off from The Baum in Rochdale and our itinerary included, Aberdeen in Scotland, Northern Ireland and Cardiff in Wales on the UK leg then Italy, Vietnam, New York, Las Vegas, Sweden, Denmark, Singapore and Malaysia, before we disembarked to return to the UK on light years of travel.<\/p>\n\n\n\n

On our time travels we visited every decade of the nineteenth century.<\/p>\n\n\n\n

So, even though I\u00b4m not going out I have managed to travel back a hundred years from this day and call in on a dozen different countries around the world.<\/p>\n\n\n\n

So, thanks again for all your help Steve. We must do this again sometime soon.<\/p>\n\n\n\n

Meanwhile, on the following final page let\u00b4s just remind everyone of what we have been listening to and how to find it again, and give our readers and listeners details of how to get in touch with us.<\/p>\n\n\n\n

NOT GOING OUT NOT STAYING IN<\/strong><\/p>\n\n\n\n

a coronavirus conundrum compilation<\/strong><\/p>\n\n\n\n

1       Not Going Out by Stephen Triffit<\/strong><\/p>\n\n\n\n

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