{"id":2866,"date":"2020-10-01T08:27:31","date_gmt":"2020-10-01T07:27:31","guid":{"rendered":"https:\/\/aata.dev\/?p=2866"},"modified":"2020-10-01T08:27:33","modified_gmt":"2020-10-01T07:27:33","slug":"let-poetry-uplift-and-console","status":"publish","type":"post","link":"https:\/\/aata.dev\/index.php\/2020\/10\/01\/let-poetry-uplift-and-console\/","title":{"rendered":"LET POETRY UPLIFT AND CONSOLE"},"content":{"rendered":"\n

LET POETRY UPLIFT AND CONSOLE<\/strong><\/p>\n\n\n\n

by Norman Warwick<\/strong><\/p>\n\n\n\n

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We often think of our poets and writers as living a life of solitude and recluse but we would do well to remember that Wordsworth for instance, was a man of the world, engaged with its politics and revolutions, and out of such trauma, created not only fields of golden daffodils but also cities of \u00b4towers, domes, theatres, and temples.\u00b4<\/p>\n\n\n\n

Bel Mooney, (left)<\/strong> writing in The Daily Mail on Friday 25th<\/sup> September suggested that \u00b4in testing times,\u00b4 (like these virus fearing days) \u00b4people need words to channel their feelings, uplift and console \u2014 and they often turn to poetry.\u00b4<\/p>\n\n\n\n

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Alexandra Harris<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Whilst recommending a few titles that might \u00b4uplift and console\u00b4 the Daily Mail contributor mentioned the Forward Book Of Poetry. This is a new publication by Faber, at \u00a39.99, published to mark National Poetry Day on October 1st<\/sup>. Its introduction, written by Alexandra Harris makes just that same point. Harris served as chair of the judges of this year’s Forward Prizes, and noted that, during lockdown, ‘almost everyone, it seemed, wanted a poem of some sort’.<\/p>\n\n\n\n

The always useful Forward compendium is usually more challenging than calming, Bel Mooney reported. However, it is none the worse for that, and it remains an indispensable yearly introduction to what the reporter calls \u00b4the best of the new.\u00b4<\/p>\n\n\n\n

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Clive James<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Perhaps because of his so many other talents, it is sometimes forgotten that the late Clive James, comic, writer, tv presenter and go-to talking head on any number of topics, was also one of the finest of poets. The Fire Of Joy (Picador \u00a320), the book he completed just before he died last year, somehow anthologies the feeling of joy as described through poetry.<\/p>\n\n\n\n

he selected a number of  our old favourites, as well as his own, including Byron, Wordsworth, Masefield, and Owen from a lifetime’s reading. He penned personal notes on each one. Notwithstanding the singularity of its title, Bel Mooney found the compilations of other emotions as well as a joy.<\/p>\n\n\n\n

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Michael Longley<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Her favourite living poet, Michael Longley, is now 81, with an imagination fired by thoughts of mortality: ‘We gaze on our soul landscapes \/ More intensely with every year.’ he writes in one of his latest poems, in The Candlelight Master (Cape \u00a310). It is a contemplative collection with profound thoughts on art, memory, war, nature and family love. According to her review Longley makes Bel\u00a0 Mooney \u00a0\u00b4shiver with a sense of the miraculous.\u00b4<\/p>\n\n\n\n

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Family is a central theme of the prize-winning American novelist Barbara Kingsolver. (left)<\/strong> How To Fly (In Ten Thousand Easy Lessons) (Faber \u00a314.99) is eloquently recommended by Mooney as \u00b4a revelation.\u00b4 the reviewer describes the \u00b4penetrating wisdom of her prose distilled into poem-sequences about taking her elderly Italian mother-in-law on a trip home, accepting imperfection,\u00b4 and our connections with the dead become\u00a0 all the more as we age and, I would wager, the longer we live with a malevolent, invisible and global disease threatening us and our loved ones.<\/p>\n\n\n\n

Kingsolver writes in a mature voice with a dry, slightly mocking humour that suggest her awareness that she is putting into words the thoughts, that we, her readers, are stuggling to articulate. you were thinking all along, but couldn’t put into words.<\/p>\n\n\n\n

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Safia Sinclair<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

If you are looking <\/strong>for new voices, Cannibal (Picador \u00a310.99) is the dazzling debut volume of Safiya Sinclair, born in Montego Bay, Jamaica and living in the U.S. Her poems capture the rich colours and sounds of her homeland, but running through her work are thoughts of escape and of exile.<\/p>\n\n\n\n

Sinclair has described being brought up by a tough Rastafarian musician father and the poem Autobiography recalls how she ‘wore the bruisemark\/of my father’s hands to school in silence’.<\/p>\n\n\n\n

Another lists the ways a black child’s skin might be whitened by well-meaning adults with anything from talc to baking soda. This seems all the more shocking for being told in a sparse, laconic tone.<\/p>\n\n\n\n

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Yet another fresh, exciting voice is Rachel Long’s, (left)<\/strong> who writes of family, race and sexuality \u2014 and her debut, My Darling From The Lions (Picador \u00a310.99), was shortlisted by Forward, which brings Bel Mooney\u00b4s round up to a full circle. Mooney concludes that the exhilarating work of these two young women reminds her that \u00b4although we age like autumn leaves, the greenness is always there, waiting for spring.\u00b4\u00a0<\/strong><\/p>\n\n\n\n

The publication of these books has been timed to anticipate National Poetry Day, the annual mass celebration on the first Thursday of October that encourages the nation to enjoy, discover and share poetry. <\/p>\n\n\n\n

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Blackburn Cathedral<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

For twenty years in the UK, it was always my own favourite day of the year. As a community poet I would work peripatetically in schools and libraries and many other community venues throughout the year but the week of the first Thursday in October was always busy, frantic and fun. I have fond memories of creating water-based poems with schoolchildren by Hollingworth Lake, looking at the flora, fauna and fish of the area. I worked with an adult writing group in Blackburn Cathedral in 2004 and another year enjoyed National Poetry Day at Blackpool Grand Theatre, and on several occasions in local libraries. For ten successive years I worked with A level students at Pleckgate High School and when I left to come and live here on Lanzarote I recommended Seamus Kelly, a great poet, as a replacement and he has done sterling work there since.<\/p>\n\n\n\n

This year, National Poetry Day takes place on 1st October 2020, and the theme is Vision. I have no doubt the day will take on a different hue under the current d cloud, and it might even be tough for schools to invite guest performers and facilitators into the bubble. Whilst I\u00b4m sure all teachers will do a great job in presenting an absorbing day for their pupils it is a shame the young people will miss the opportunity to speak with \u00b4real\u00b4 poets who can talk to them about \u00b4where imagination begins\u00b4 and the \u00b4five bums on a bench\u00b4 who are always asking questions.<\/p>\n\n\n\n

Sidetracks & Detours urge you to become involved with activities nationwide on the day, to See It Like a Poet and to #ShareAPoem.<\/p>\n\n\n\n

National Poetry Day generates an explosion of activity nationwide, thousands of amazing events across the UK \u2013 on doorsteps and at kitchen tables, in gardens and streets, in schools, libraries and public spaces both online and offline \u2013 all celebrating poetry\u2019s power to bring people together. <\/p>\n\n\n\n

The Day starts conversations, it encourages love of language \u2013 and best of all, it\u2019s open to absolutely everyone to join in, quietly or noisily in rewarding and enjoyable ways. As the art form\u2019s most visible moment, it showcases the ways in which poetry adds value to society.<\/p>\n\n\n\n

If you\u2019re planning poetry in your school, whether it be reading, writing or performing, check out the range of resources<\/a> available from the National Poetry day web site at<\/p>\n\n\n\n

These are produced specially by a team ofpartners, and you\u2019ll find lots to use, all for free. You will also find details of a schools-focused challenge, #MyNPDPoem<\/a> with inspiring videos and prompts and resources to help you participate. <\/p>\n\n\n\n

You can sign-up for regular newsletters that will up-date you with news, details of competitions and announcements of special offers and there is even a Toolkit For Schools<\/a> to provide inspiration any day of the week.<\/p>\n\n\n\n

Every event I worked on for National Poetry day in the UK was vibrant and enjoyable and the pupils, young and at school, or older and in adult education or local writing groups, always amazed me with their perception and willingness to share, and I always afterwards dropped an e mail to info@nationalpoetryday.co.uk<\/strong><\/a> to report on the schools\u00b4 successes in the hope that such e mails could be used to ensure the continuance of the event.<\/p>\n\n\n\n

At a time when our children\u00b4s education has been so disrupted by covid19 and a generation has become confused by adults and politicians unable to agree on what is best for them, the writing and reading of poetry can dispel confusion and help us all find our own voice to contribute to what remains an on-going debate.<\/p>\n\n\n\n

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John Walsh, poet<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

The organisers of National Poetry Day, which is actually a stream of synergies and partnerships, can even help create our next generation of poets to follow in the footsteps of our laureate, Simon Armitage, and James Nash, and Ian and Andrew McMillan and Owen Sheers. After the Manchester bombing of a few years ago it was poetry, in the form of John Walsh, that delivered solace, that re-unified and that restored the dignity and personality of a city that had been split asunder.<\/p>\n\n\n\n

As we now fight back against virus and mutation, check out the web-site to see how your donations can help National Poetry Day continue to raise awareness of the value and impact of poetry.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

LET POETRY UPLIFT AND CONSOLE by Norman Warwick We often think of our poets and writers as living a life of solitude and recluse but we would do well to remember that Wordsworth for instance, was a man of the world, engaged with its politics and revolutions, and out of such trauma, created not only […]<\/p>\n","protected":false},"author":2,"featured_media":2876,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,13,6],"tags":[],"class_list":["post-2866","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aata","category-literary","category-performing-arts"],"_links":{"self":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/2866","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/comments?post=2866"}],"version-history":[{"count":1,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/2866\/revisions"}],"predecessor-version":[{"id":2877,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/2866\/revisions\/2877"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media\/2876"}],"wp:attachment":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media?parent=2866"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/categories?post=2866"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/tags?post=2866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}