{"id":22463,"date":"2024-09-04T07:00:00","date_gmt":"2024-09-04T06:00:00","guid":{"rendered":"https:\/\/aata.dev\/?p=22463"},"modified":"2024-09-03T20:05:41","modified_gmt":"2024-09-03T19:05:41","slug":"joni-mitchell-archives-vol-4","status":"publish","type":"post","link":"https:\/\/aata.dev\/index.php\/2024\/09\/04\/joni-mitchell-archives-vol-4\/","title":{"rendered":"JONI MITCHELL ARCHIVES, VOL. 4:"},"content":{"rendered":"\n

ANNOUNCING
JONI MITCHELL ARCHIVES, VOL. 4:
THE ASYLUM YEARS (1976-1980)<\/strong><\/p>\n\n\n\n

by Norman Warwick, sharing a newsletter<\/strong><\/p>\n\n\n\n

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Throughout the latter half of the seventies, Joni continued to creatively break ground with her fearless and fluid exploration of jazz. Rather than tread the same path, she challenged and reinvented her style with a folk fusion like no other. Ascending to an unrivaled sonic peak, this innovative sound took shape across the gold-certified HEJIRA [1976]<\/em>, the gold-certified double-LP DON JUAN\u2019S RECKLESS DAUGHTER [1977]<\/em>, her collaboration with Charles Mingus entitled MINGUS [1979]<\/em>, and live album SHADOWS AND LIGHT [1980]<\/em>. Channeling the thrill and excitement of these records, she delves even further into this season on JONI MITCHELL ARCHIVES, VOL. 4:<\/em> THE ASYLUM YEARS (1976-1980)<\/em>, due October 4th.<\/p>\n\n\n\n

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Available as a 6CD, 4LP (featuring Joni’s personal favorites from the 6CD set), and digitally, this comprehensive and essential set spans one of the most prolific periods of her storied career. It boasts powerful live tracks from her time in Bob Dylan\u2019s Rolling Thunder Revue<\/em> during 1975 and 1976 Tour of the United States<\/em>. It pulls back the curtain on the music by showcasing early recordings and alternate takes from the respective sessions for HEJIRA<\/em>, DON JUAN\u2019S RECKLESS DAUGHTER<\/em>, and MINGUS<\/em>. It covers the Bread & Roses Festival<\/em> as well as the Anti-Nuclear Rally<\/em>. Finally, VOL. 4 chronicles her 1979 tour, even showcasing two tracks from that year\u2019s Tour Rehearsals. Not to mention, it showcases her versatility and adaptability, housing collaborations with everyone from Herbie Hancock and Jaco Pastorious to Wayne Shorter and Pat Metheny.<\/p>\n\n\n\n

This issue of volume 4 culls the previously unissued material from original styeroe reels, cassettes, cd releases and even a radio broadcast. Newly mixed tracks come from multi-track takes while a handful of hi \u2013 res digital tracks have been taken from the Bob Dylan Archives.<\/p>\n\n\n\n

Each version includes a book with never-before-seen photos and liner notes comprising a deep dive discussion between Mitchell and longtime friend Cameron Crowe. As part of their candid conversation, she shares intimate anecdotes, memories, and stories from that five-year creative run.<\/p>\n\n\n\n

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as well as the music in this woinderful package, Joni Mitchell shares candid conversation, Each version includes a book with never-before-seen photos and liner notes comprising a deep dive discussion between Mitchell and longtime friend Cameron Crowe. As part of their candid conversation, she shares intimate anecdotes, memories, and stories from the five-year creative run.covered by these recordings.<\/p>\n","protected":false},"author":2,"featured_media":22466,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[71,45,6],"tags":[],"class_list":["post-22463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-and-tradition","category-music","category-performing-arts"],"_links":{"self":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/22463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/comments?post=22463"}],"version-history":[{"count":2,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/22463\/revisions"}],"predecessor-version":[{"id":22738,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/22463\/revisions\/22738"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media\/22466"}],"wp:attachment":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media?parent=22463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/categories?post=22463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/tags?post=22463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}