{"id":17458,"date":"2023-11-10T07:00:00","date_gmt":"2023-11-10T07:00:00","guid":{"rendered":"https:\/\/aata.dev\/?p=17458"},"modified":"2023-11-01T09:31:41","modified_gmt":"2023-11-01T09:31:41","slug":"the-real-ambassadors","status":"publish","type":"post","link":"https:\/\/aata.dev\/index.php\/2023\/11\/10\/the-real-ambassadors\/","title":{"rendered":"THE REAL AMBASSADORS"},"content":{"rendered":"\n

THE REAL AMBASSADORS:<\/strong><\/p>\n\n\n\n

Dave and Iloa Brubeck & Louis Armstrong<\/strong><\/p>\n\n\n\n

challenge segregation<\/strong><\/p>\n\n\n\n

is recommended by NORMAN WARWICK<\/strong><\/p>\n\n\n\n

Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

First conceived by the Brubecks (Dave and Iola, left)<\/strong> in 1956, the musical found a stage for its 1962 premiere. The narrative tracks extraordinary twists and turns across the backdrop of the civil rights movement. A variety of colourful characters, from Broadway impresarios to gang-connected managers, surfaces in the compelling storyline.<\/p>\n\n\n\n

During the Cold War, the US State Department enlisted some of America’s greatest musicians to serve as jazz ambassadors, touring the world to trumpet a so-called “free society.” Honoured as celebrities abroad, the jazz ambassadors, who were overwhelmingly African Americans, returned home to racial discrimination and deferred dreams. The Brubecks used this double standard as the central message for the musical, deploying humour and pathos to share perspectives on American values.<\/p>\n\n\n\n

On September 23, 1962, The Real Ambassadorss stunning debut moved a packed arena at the Monterey Jazz Festival to laughter, joy, and tears. Although critics unanimously hailed the performance, it sadly became a footnote in cast members’ bios. The enormous cost of reassembling the star-studded cast made the creation impossible to stage and tour. \u00b4<\/p>\n\n\n\n

However, The Real Ambassadors: Dave and Iola Brubeck and Louis Armstrong Challenge Segregation caps this jazz story by detailing how the show was triumphantly revived in 2014 by Jazz at Lincoln Center. This reaffirmed the musical’s place as an integral part of America’s jazz history and served as an important reminder of how artists’ voices are a powerful force for social change.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

we\u00b4re gonna need a bigger bookshelf<\/strong><\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Title                     The Real Ambassadors<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Author                 Keith Hatschck<\/p>\n\n\n\n

<\/p>\n\n\n\n

Price                    $30.00<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Publisher             University Press of Mississippi<\/p>\n\n\n\n

<\/p>\n\n\n\n

Publish Date       January 20, 2022<\/p>\n\n\n\n

<\/p>\n\n\n\n

Pages                   298<\/p>\n\n\n\n

<\/p>\n\n\n\n

Dimensions         6.0 X 9.0 X 0.67 inches | 0.97 pounds<\/p>\n\n\n\n

<\/p>\n\n\n\n

Language             English<\/p>\n\n\n\n

<\/p>\n\n\n\n

Type                    Paperback<\/p>\n\n\n\n

<\/p>\n\n\n\n

EAN\/UPC           9781496837844<\/p>\n\n\n\n

Keith Hatschek\u00a0is author of three other books on the music industry and has directed the music management program at University of the Pacific for twenty years. Prior to becoming an educator, he spent twenty-five years in the music business as a musician, producer, studio owner, and marketing executive.<\/p>\n","protected":false},"excerpt":{"rendered":"

: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled\u00a0The Real Ambassadors.<\/p>\n","protected":false},"author":2,"featured_media":17464,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[71,77,45],"tags":[],"class_list":["post-17458","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-and-tradition","category-education","category-music"],"_links":{"self":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/17458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/comments?post=17458"}],"version-history":[{"count":2,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/17458\/revisions"}],"predecessor-version":[{"id":17465,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/17458\/revisions\/17465"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media\/17464"}],"wp:attachment":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media?parent=17458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/categories?post=17458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/tags?post=17458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}