{"id":15988,"date":"2023-07-28T13:14:19","date_gmt":"2023-07-28T12:14:19","guid":{"rendered":"https:\/\/aata.dev\/?p=15988"},"modified":"2023-07-28T13:14:19","modified_gmt":"2023-07-28T12:14:19","slug":"across-the-border","status":"publish","type":"post","link":"https:\/\/aata.dev\/index.php\/2023\/07\/28\/across-the-border\/","title":{"rendered":"ACROSS THE BORDER"},"content":{"rendered":"\n<p><strong>from the Gulf Coast and interior Mexico and<\/strong><\/p>\n\n\n\n<p><strong>ACROSS THE BORDER<\/strong><\/p>\n\n\n\n<p><strong>review by Norman Warwick<\/strong><\/p>\n\n\n\n<p>Son Jarocho was born as the regional sound of Veracruz but over time became a Mexican national genre, even transnational, genre&#8211;a touchstone of Chicano identity in the United States.\u00a0Mario Barradas and Son Jarocho\u00a0traces a musical journey from the Gulf Coast to interior Mexico and across the border, describing the transformations of Son Jarocho along the way.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/we\u00b4re-gonna-need-a-bigger-shelf-9.jpg\" alt=\"\" class=\"wp-image-15990\" width=\"437\" height=\"384\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong>we\u00b4re gonna need a bigger bookshelf<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/cover-25.jpg\" alt=\"\" class=\"wp-image-15993\" width=\"178\" height=\"268\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/cover-25.jpg 333w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/cover-25-200x300.jpg 200w\" sizes=\"auto, (max-width: 178px) 100vw, 178px\" \/><\/figure><\/div>\n\n\n\n<p><strong>book cover Title&nbsp;&nbsp;&nbsp; Mario Barradas and San Jaracho<\/strong><\/p>\n\n\n\n<p><strong>Author&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Gonzales, Hernandez, Gonzales<\/strong><\/p>\n\n\n\n<p>Price&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>$34.44<\/strong><\/p>\n\n\n\n<p>Publisher&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; University of Texas Press<\/p>\n\n\n\n<p>Publish Date&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; July 26, 2022<\/p>\n\n\n\n<p>Pages&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 208<\/p>\n\n\n\n<p>Dimensions&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5.9 X 8.9 X 0.7 inches | 0.7 pounds<\/p>\n\n\n\n<p>Language&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; English<\/p>\n\n\n\n<p>Type&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Paperback<\/p>\n\n\n\n<p>EAN\/UPC&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 9781477325568<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/1-28.jpg\" alt=\"\" class=\"wp-image-15995\" width=\"179\" height=\"94\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/1-28.jpg 310w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/1-28-300x158.jpg 300w\" sizes=\"auto, (max-width: 179px) 100vw, 179px\" \/><\/figure><\/div>\n\n\n\n<p>Yolanda Broyles-Gonz\u00e1lez <strong><em> (right) <\/em><\/strong>is a University Distinguished Professor and chair of the American Ethnic Studies Department at Kansas State. She is the author of\u00a0<em>El Teatro Campesino: Theater in the Chicano Movement<\/em>, among other books.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/download-7.jpg\" alt=\"\" class=\"wp-image-15996\" width=\"116\" height=\"180\" \/><\/figure><\/div>\n\n\n\n<p>Francisco Gonz\u00e1lez is a multi-instrument musician and a former member of the seminal folk-rock music group Los Lobos.<strong><em>(left) <\/em><\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/3-15.jpg\" alt=\"\" class=\"wp-image-15997\" width=\"116\" height=\"116\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/3-15.jpg 225w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/3-15-80x80.jpg 80w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/3-15-36x36.jpg 36w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/3-15-180x180.jpg 180w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/3-15-120x120.jpg 120w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/3-15-100x100.jpg 100w\" sizes=\"auto, (max-width: 116px) 100vw, 116px\" \/><\/figure><\/div>\n\n\n\n<p>Rafael Figueroa Hern\u00e1ndez<strong><em> (right)<\/em><\/strong> is a cultural historian specializing in the study of Son Jarocho and other regional musical styles specific to the state of Veracruz and the Antilles at the Universidad Veracruzana.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>traces a musical journey from the Gulf Coast to interior Mexico and across the border<\/p>\n","protected":false},"author":2,"featured_media":15993,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,45],"tags":[],"class_list":["post-15988","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literary","category-music"],"_links":{"self":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/15988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/comments?post=15988"}],"version-history":[{"count":1,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/15988\/revisions"}],"predecessor-version":[{"id":15998,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/15988\/revisions\/15998"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media\/15993"}],"wp:attachment":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media?parent=15988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/categories?post=15988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/tags?post=15988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}