{"id":15537,"date":"2023-07-07T07:36:29","date_gmt":"2023-07-07T06:36:29","guid":{"rendered":"https:\/\/aata.dev\/?p=15537"},"modified":"2023-07-07T07:36:29","modified_gmt":"2023-07-07T06:36:29","slug":"dont-lose-that-number","status":"publish","type":"post","link":"https:\/\/aata.dev\/index.php\/2023\/07\/07\/dont-lose-that-number\/","title":{"rendered":"DON\u00b4T LOSE THAT NUMBER"},"content":{"rendered":"\n<p><strong>&#8220;Book of the Year.&#8221; &#8212; MOJO Magazine<\/strong><\/p>\n\n\n\n<p><strong>&#8220;Outstanding Book of the Year.&#8221; &#8212;<em>The Herald<\/em>&nbsp;(Glasgow)<br>A Best Book of the Year<\/strong><\/p>\n\n\n\n<p><strong>by NPR,&nbsp;<em>Pitchfork, The Telegraph<\/em>, and&nbsp;<em>Uncut<\/em><\/strong><\/p>\n\n\n\n<p>As you know, we are in the process of building a bigger bookshelf. The pile of books in the corner of my office is floor to ceiling and half way up for a second time, so there is some urgency.<\/p>\n\n\n\n<p>The book that is currently top of the pile is a tender and intimate memoir by one of the most remarkable, trailblazing, and tenacious women in music, the two-time Grammy Award-winning &#8220;premiere song-stylist and songwriter of her generation&#8221; (Hilton Als), Rickie Lee Jones<\/p>\n\n\n\n<p><br>This troubadour life is only for the fiercest hearts, only for those vessels that can be broken to smithereens and still keep beating out the rhythm for a new song<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/1-7.jpg\" alt=\"\" class=\"wp-image-15538\" width=\"185\" height=\"185\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/1-7.jpg 225w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/1-7-80x80.jpg 80w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/1-7-36x36.jpg 36w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/1-7-180x180.jpg 180w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/1-7-120x120.jpg 120w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/1-7-100x100.jpg 100w\" sizes=\"auto, (max-width: 185px) 100vw, 185px\" \/><\/figure><\/div>\n\n\n\n<p><br>Last Chance Texaco&nbsp;is the first-ever no-holds-barred account of the life of two-time Grammy Award-winner Rickie Lee Jones <strong><em>(left)<\/em><\/strong>  in her own words. It is a tale of desperate chances and impossible triumphs, an adventure story of a girl who beat the odds and grew up to become one of the most legendary artists of her time, turning adversity and hopelessness into timeless music.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/2-4.jpg\" alt=\"\" class=\"wp-image-15539\" width=\"182\" height=\"102\" \/><\/figure><\/div>\n\n\n\n<p>photo 2 With candor and lyricism, the &#8220;Duchess of Coolsville&#8221; (<em>Time<\/em>) takes us on a singular journey through her nomadic childhood, to her years as a teenage runaway, through her legendary love affair with Tom Waits <strong><em>(right)<\/em><\/strong> and ultimately her longevity as the hardest working woman in rock and roll. Rickie Lee&#8217;s stories are rich with the infamous characters of her early songs &#8211; &#8220;Chuck-E&#8217;s in Love,&#8221; &#8220;Weasel and the White Boys Cool,&#8221; &#8220;Danny&#8217;s All-Star Joint,&#8221; and &#8220;Easy Money&#8221;&#8211; but long before her notoriety in show business, there was a vaudevillian cast of hitchhikers, bank robbers, jail breaks, drug mules, a pimp with a heart of gold and tales of her fabled ancestors.<\/p>\n\n\n\n<p><br>In this tender and intimate memoir by one of the most remarkable, trailblazing, and tenacious women in music are never-before-told stories of the girl in the raspberry beret, a singer-songwriter whose music defied categorization and inspired American pop culture for decades.<\/p>\n\n\n\n<p>image<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/we\u00b4re-gonna-need-a-bigger-shelf.jpg\" alt=\"\" class=\"wp-image-15540\" width=\"437\" height=\"384\" \/><figcaption>we\u00b4re gonna need a bigger bookshelf for book number 25<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/dbook-1.jpg\" alt=\"\" class=\"wp-image-15543\" width=\"388\" height=\"388\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/dbook-1.jpg 225w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/dbook-1-80x80.jpg 80w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/dbook-1-36x36.jpg 36w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/dbook-1-180x180.jpg 180w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/dbook-1-120x120.jpg 120w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/dbook-1-100x100.jpg 100w\" sizes=\"auto, (max-width: 388px) 100vw, 388px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\"><\/p>\n\n\n\n<p><strong>&#8220;Book of the Year.&#8221; &#8212; MOJO Magazine<\/strong><\/p>\n\n\n\n<p><strong>&#8220;Outstanding Book of the Year.&#8221; &#8212;<em>The Herald<\/em>&nbsp;(Glasgow)<br>A Best Book of the Year<\/strong><\/p>\n\n\n\n<p><strong>by NPR,&nbsp;<em>Pitchfork, The Telegraph<\/em>, and&nbsp;<em>Uncut<\/em><\/strong><\/p>\n\n\n\n<p>As you know, we are in the process of building a bigger bookshelf. The pile of books in the corner of my office is floor to ceiling and half way up for a second time, so there is some urgency.<\/p>\n\n\n\n<p>The book that is currently top of the pile is a tender and intimate memoir by one of the most remarkable, trailblazing, and tenacious women in music, the two-time Grammy Award-winning &#8220;premiere song-stylist and songwriter of her generation&#8221; (Hilton Als), Rickie Lee Jones<\/p>\n\n\n\n<p><br>This troubadour life is only for the fiercest hearts, only for those vessels that can be broken to smithereens and still keep beating out the rhythm for a new song<\/p>\n\n\n\n<p><br>Last Chance Texaco&nbsp;is the first-ever no-holds-barred account of the life of two-time Grammy Award-winner Rickie Lee Jones in her own words. It is a tale of desperate chances and impossible triumphs, an adventure story of a girl who beat the odds and grew up to become one of the most legendary artists of her time, turning adversity and hopelessness into timeless music.<\/p>\n\n\n\n<p>photo 2 With candor and lyricism, the &#8220;Duchess of Coolsville&#8221; (<em>Time<\/em>) takes us on a singular journey through her nomadic childhood, to her years as a teenage runaway, through her legendary love affair with Tom Waits and ultimately her longevity as the hardest working woman in rock and roll. Rickie Lee&#8217;s stories are rich with the infamous characters of her early songs &#8211; &#8220;Chuck-E&#8217;s in Love,&#8221; &#8220;Weasel and the White Boys Cool,&#8221; &#8220;Danny&#8217;s All-Star Joint,&#8221; and &#8220;Easy Money&#8221;&#8211; but long before her notoriety in show business, there was a vaudevillian cast of hitchhikers, bank robbers, jail breaks, drug mules, a pimp with a heart of gold and tales of her fabled ancestors.<\/p>\n\n\n\n<p><br>In this tender and intimate memoir by one of the most remarkable, trailblazing, and tenacious women in music are never-before-told stories of the girl in the raspberry beret, a singer-songwriter whose music defied categorization and inspired American pop culture for decades.<\/p>\n\n\n\n<p>image<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/we\u00b4re-gonna-need-a-bigger-shelf-1.jpg\" alt=\"\" class=\"wp-image-15541\" width=\"474\" height=\"416\" \/><figcaption><strong>We\u00b4re gonna need a bigger bookshelf for book number 25<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/dbook.jpg\" alt=\"\" class=\"wp-image-15542\" width=\"389\" height=\"389\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/dbook.jpg 225w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/dbook-80x80.jpg 80w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/dbook-36x36.jpg 36w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/dbook-180x180.jpg 180w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/dbook-120x120.jpg 120w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/07\/dbook-100x100.jpg 100w\" sizes=\"auto, (max-width: 389px) 100vw, 389px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\"><\/p>\n\n\n\n<p><strong>Title&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Last Chance Texaco<\/strong><\/p>\n\n\n\n<p><strong>Author&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ricke Lee Jones<\/strong><\/p>\n\n\n\n<p><strong>Price&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;16.74<\/strong><\/p>\n\n\n\n<p><strong>Publisher&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Grove Press<\/strong><\/p>\n\n\n\n<p><strong>Publication Date&nbsp;&nbsp;   5<sup>th<\/sup> April 2022<\/strong><\/p>\n\n\n\n<p><strong>Pages&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;   384<\/strong><\/p>\n\n\n\n<p><strong>Dimensions&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong>5.5 X 8.2 X 1.2 inches | 0.85 pounds<\/p>\n\n\n\n<p>Language&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Englsih<\/p>\n\n\n\n<p>Type&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Paperback<\/p>\n\n\n\n<p>EAN\/UPC&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;9780802159854<\/p>\n\n\n\n<p><strong> Rickie Lee Jones<\/strong> has released around twenty record albums and received two Grammy Awards. She lives in New Orleans.<\/p>\n\n\n\n<p>Jones released his first self-titled album in 1979. In addition to&nbsp;<em>Chuck E.&#8217;s in love<\/em>&nbsp;, which peaked at #4 on the&nbsp;<a href=\"https:\/\/es.wikipedia.org\/wiki\/Billboard_Hot_100\">Billboard chart,&nbsp;<\/a><em>Young Blood<\/em>&nbsp;was released as a single&nbsp;, which peaked at #40.&nbsp;The album itself rose to #3 in sales in the US, and also had notable success in the&nbsp;<a href=\"https:\/\/es.wikipedia.org\/wiki\/Reino_Unido\">UK<\/a>&nbsp;(#18) and&nbsp;<a href=\"https:\/\/es.wikipedia.org\/wiki\/Australia\">Australia<\/a>&nbsp;(#1).&nbsp;<a href=\"https:\/\/es.wikipedia.org\/wiki\/Rolling_Stone\"><em>The artist appeared on the cover of Rolling Stone<\/em><\/a>&nbsp;magazine and she earned five&nbsp;<a href=\"https:\/\/es.wikipedia.org\/wiki\/Grammy\">Grammy<\/a>&nbsp;Award nominations&nbsp;, in which she ultimately won Best New Artist in January&nbsp;<a href=\"https:\/\/es.wikipedia.org\/wiki\/1980\">1980<\/a>&nbsp;.<\/p>\n\n\n\n<p>Jones refused to work on the&nbsp;<a href=\"https:\/\/es.wikipedia.org\/wiki\/Banda_sonora\">soundtrack<\/a>&nbsp;for the film that&nbsp;<a href=\"https:\/\/es.wikipedia.org\/wiki\/Francis_Ford_Coppola\">Francis Ford Coppola<\/a>&nbsp;was preparing at the time,&nbsp;<a href=\"https:\/\/es.wikipedia.org\/wiki\/Corazonada_(1982)\"><em>Hunch<\/em><\/a>&nbsp;, for which he already had Tom Waits, from whom the artist had recently separated.&nbsp;In 1981, after a world tour, Jones settled in&nbsp;<a href=\"https:\/\/es.wikipedia.org\/wiki\/Nueva_York\">New York<\/a>&nbsp;and released a second studio album,&nbsp;<a href=\"https:\/\/es.wikipedia.org\/wiki\/Pirates\">Pirates<em>.<\/em><\/a>.&nbsp;The lyrics of some of the songs suggest that the record is a response to the breakup of Jones and Waits;&nbsp;Without achieving the commercial success of their debut album, this album garnered very positive reviews and sold well in the UK, where it peaked at #18 on the charts, and in the US, where it peaked at #5 on Billboard and spawned three singles:&nbsp;Pirates (So Long Lonely Avenue)&nbsp;(#40),&nbsp;Woody and Dutch on the Slow Train to Peking&nbsp;(#31) and&nbsp;A Lucky Guy&nbsp;(#65).&nbsp;Jones returned to be the cover of&nbsp;Rolling Stone&nbsp;and embarked on a new international tour in&nbsp;<a href=\"https:\/\/es.wikipedia.org\/wiki\/1982\">1982<\/a>&nbsp;, after which she settled in&nbsp;<a href=\"https:\/\/es.wikipedia.org\/wiki\/San_Francisco_(California)\">San Francisco<\/a>&nbsp;.<\/p>\n\n\n\n<p>Those of us who admire her for undertaking eclectic challenges and for constantly seeking to advance her music think of her as an important writer and something of a musical chameleon. It would be true to say though that might not have fopund anything more commercial in her canon<\/p>\n\n\n\n<p>However, it might be argued that many people who found something extraordinary and infectious in Check E\u00b4s In Love who have.felt subsequently disappointed<\/p>\n\n\n\n<p>The song Ricke Don\u00b4t Lose That Number added intrigue to the public perception of Lee Jones.<\/p>\n\n\n\n<p>Remember how often we speak of those names that simply fall out in conversation? Rickie lee Jones\u00b4name often falls out in conversation in a small circle of friends in the UK&nbsp; in love with Americana and its singer-writers.<\/p>\n\n\n\n<p>cover<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Those of us who admire her for undertaking eclectic challenges and for constantly seeking to advance her music think of her as an important writer and something of a musical chameleon. It would be true to say though that might not have fopund anything more commercial in her canon<\/p>\n","protected":false},"author":2,"featured_media":15544,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,45],"tags":[],"class_list":["post-15537","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literary","category-music"],"_links":{"self":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/15537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/comments?post=15537"}],"version-history":[{"count":2,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/15537\/revisions"}],"predecessor-version":[{"id":15643,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/15537\/revisions\/15643"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media\/15544"}],"wp:attachment":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media?parent=15537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/categories?post=15537"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/tags?post=15537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}