{"id":15200,"date":"2023-06-19T07:00:00","date_gmt":"2023-06-19T06:00:00","guid":{"rendered":"https:\/\/aata.dev\/?p=15200"},"modified":"2023-06-13T09:53:35","modified_gmt":"2023-06-13T08:53:35","slug":"kids-in-korea","status":"publish","type":"post","link":"https:\/\/aata.dev\/index.php\/2023\/06\/19\/kids-in-korea\/","title":{"rendered":"KIDS IN KOREA"},"content":{"rendered":"\n

KIDS IN KOREA LOVE DRAMA & SOAPS<\/strong><\/p>\n\n\n\n

says Norman Warwick<\/strong><\/p>\n\n\n\n

Our two and a half weekly Skype call between Lanzarote and South Korea usually runs like clockwork. Starting at mid day my son Andrew listens to me telling him that Sam Allardyce has just been appointed manager of Leeds United, and being Bolton Wanderers fans in exile,(me on Lanzarote, and my son in Seoul, South Korea) we both chuckle at Big Sam\u00b4s bounce-back ability and then sink into deep reminescences about the \u00b4glory years\u00b4at Bolton, Nat Loftehouse, oh Frankie, Frankie, Frankie Worthington, Walker, McGinley and highlights reel of the (much more than) showboating J J Ococha who took us for days out and night time draws in Europe. I then pass Andrew over to his mum and she and Sue (his wife) and Andrew talk for another half hour about serious matters like politics, the state of the world and then I slip back in to say hello to our thirteen year grand-daughter Olivia who then talks to her grandma about all her favourite dramas and soaps and soap stars. Celebrity is a growth industry in South Korea and like all her contemporaries Olivia is always up to date with the factual and fictional lives of the stars !<\/em><\/p>\n\n\n\n

Korean dramas aren\u2019t new<\/a>, but their global popularity has become more diverse and widespread in the U.S. in the last few years. Netflix has properly gotten into the K-drama game, joining existing streaming Viki<\/a> as an easy streaming access point for American viewers interested in Korean content. Foreign-language media can be a big ask for some viewers, especially those who have less experience getting over that \u201cone-inch barrier,\u201d as Korean filmmaker Bong Joon-Ho famously referred to subtitles during his Oscar acceptance speech for Parasite<\/em>. Don\u2019t fear. I\u2019m here to help. If you\u2019ve never watched a K-drama before\u2014or maybe if you\u2019ve only ever watched Squid Game<\/em>\u2014here are a few gateway dramas to try as your entry into the rich world of Korean storytelling.<\/p>\n\n\n\n

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Fantasy Romance:\u00a0Goblin<\/em><\/strong><\/p>\n\n\n\n

Honestly, \u201cfantasy romance\u201d is a relatively competitive category in the K-drama world, where stories so often and seamlessly mix elements of genre that it can be easy to forget that gumiho and body-swapping are not actual real things. But Goblin<\/em> (also known as Guardian: The Lonely and Great God<\/em> in English), a romance about an immortal hunk and a high school student who works at a fried chicken joint, is one of the absolute classics.<\/p>\n\n\n\n

Kim Shin (Train to Busan<\/em>\u2019s Gong Yoo) has been alive since the Goryeo Dynasty, when he was cursed to stay immortal forever as punishment for the soldiers he killed in war. He is\u2026 a goblin. The only way for Kim Shin to die is for the destined Goblin\u2019s bride to pull the sword from his chest and end his suffering. Ji Eun-tak\u2019s (Little Women<\/em>) Kim Go-eun is a high school orphan, who somehow remains optimistic despite her shitty life. When Kim Go-eun accidentally summons Kim Shin, their two lives become intertwined to hilarious, romantic, and fateful results.<\/p>\n\n\n\n

Goblin<\/em> is a K-drama classic for good reason: gorgeous cinematography<\/a>, a charismatic ensemble, and an epic story. The age difference between Kim Shin and Ji Eun-tak is cringey at points and feels narratively unnecessary, but if you made it through The Vampire Diaries<\/em>, then you\u2019re good to go.<\/p>\n\n\n\n

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<\/strong>Zombies!\u00a0Kingdom<\/em>\u00a0or\u00a0All of Us Are Dead<\/em><\/strong><\/p>\n\n\n\n

Zombies is a pretty niche genre, but people love the rabid undead and Korea has some stellar entrants into the subgenre, so I am going specific on this one. Before Squid Game<\/em> hit big on Netflix, Kingdom<\/em> was the gory K-drama that got people who had never before seen a K-drama hooked. A zombie drama set in a fictional version of 16th-century Joseon, it follows Lee Chang (Ju Ji-hoon), aka the Crown Prince of Joseon, who is charged with investigating a mysterious illness that has afflicted the king. Spoiler: it\u2019s zombie-ism, and the crown prince\u2019s father isn\u2019t the only one who\u2019s got it. Kingdom<\/em>, which was Netflix\u2019s first original Korean series, is a political thriller, period drama, and zombie horror all wrapped up in one.<\/p>\n\n\n\n

If you like your zombie dramas more modern, you can check out All of Us Are Dead<\/em>, one of Netflix\u2019s most popular TV shows of all time<\/em>. The 2022 adaptation of popular webtoon All of Us Are Dead<\/em> follows a group of teenagers at Hyosan High School, ground zero for a zombie outbreak. Thematically, the coming-of-age drama is about the failure of the adult generations to protect young people, which makes it both topical and incredibly depressing. You have been warned.<\/p>\n\n\n\n

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Suspense Thriller:\u00a0Little Women<\/em><\/strong><\/p>\n\n\n\n

Director Park Chan-wook gets a lot of international attention, as he should, but not nearly enough acclaim is bestowed upon his frequent writing collaborator, Jeong Seo-kyung, who co-wrote Decision to Leave<\/em>, The Handmaiden<\/em>, and Sympathy for Lady Vengeance<\/em>. In 2022, she penned a loose K-drama adaptation of the Louisa May Alcott novel Little Women<\/em>. The suspense-driven drama follows three working-class sisters living in contemporary Seoul who get caught up in a dangerous embezzlement scheme that could lead to securing financial stability for the rest of their lives or could lead to, you know, death. Masterfully plotted\u2014and touching on themes like alcoholism, moral ambiguity, and the corrupting nature of extreme wealth\u2014Little Women<\/em> was one of the most rewarding watches of 2022, and proof that female-led Korean content can exist in many different genres.<\/p>\n\n\n\n

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Procedural Dramedy:\u00a0Extraordinary Attorney Woo<\/em><\/strong><\/p>\n\n\n\n

It\u2019s weird to recommend a series that was literally one of the most-watched TV series of 2022, but\u00a0Extraordinary Attorney Woo<\/em>\u00a0is that special. Woo Young-woo (The King\u2019s Affection\u2019s Park Eun-bin) is a rookie attorney with autism and a deep love of whales in this series that brilliantly balances procedural elements and character-driven dramedy. Each episode follows a different case, as Woo Young-woo works to do her job in an office of neurotypical attorneys, most of whom have ignorant misconceptions about autism. As Woo Young-woo\u2019s colleagues (and perhaps the audience) learn more about neurodiversity (and whales), we become invested in the cases Woo Young-woo chooses and the relationships she develops in her new workplace.\u00a0Extraordinary Attorney Woo<\/em>\u00a0was groundbreaking in Korea for its centering of a character with autism; it\u2019s also just a lot of fun.<\/p>\n\n\n\n

<\/p>\n\n\n\n

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Romantic Drama:\u00a0Crash Landing on You<\/em><\/strong><\/p>\n\n\n\n

If a \u201cBest K-Dramas\u201d list doesn\u2019t have Crash Landing on You<\/em> on it, don\u2019t trust it. This 2020 romance is maybe a perfect show\u2014that intangible blend of clever writing, cast chemistry, and timing that comes together to create something magical. Crash Landing in You<\/em> aired in Korea and on Netflix at the end of 2019 and into 2020, which means it was available in its entirety in that first, awful phase of the pandemic when most people were at home, distanced from many of their loved ones. In other words, if this ends up being your gateway K-drama, you\u2019re in good company.<\/p>\n\n\n\n

This story about a chaebol heiress and entrepreneur (the incomparable Son Ye-jin) who crash-paraglides into the DMZ and into the life of the North Korean soldier (the iconic Hyun Bin) who decides to hide her became an escapist fantasy for many Americans stuck at home. Like other best K-dramas, Crash Landing on You<\/em> doesn\u2019t just rely on its central romance (which, to be clear, is so, so good); it\u2019s also a story about family, community, severe depression, childhood trauma, independence, and the choices we make within the commitments we make to each other and to ourselves. No notes.<\/p>\n\n\n\n

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acknowledgements<\/em><\/strong><\/p>\n\n\n\n

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please note logo The primary source for  this piece were written for Paste on line magazine by <\/strong>Kayti Burt, a culture critic with bylines at TIME, MTV News, Refinery29, and Den of Geek. For more pop culture analysis, including K-culture context, you can follow her @kaytiburt and visit her <\/strong>website<\/strong><\/a>.<\/em><\/strong><\/p>\n\n\n\n

Images employed have been taken from on line sites only where  categorised as  images free to use.<\/strong><\/p>\n\n\n\n

for a more comprehensive detail of our attribution policy see our for reference only post on 7th<\/sup> April entitled Aspirations And Attributions.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Korean dramas aren\u2019t new, but their global popularity has become more diverse and widespread in the U.S. in the last few years.<\/p>\n","protected":false},"author":2,"featured_media":15206,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[75,71,78],"tags":[],"class_list":["post-15200","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema","category-culture-and-tradition","category-entertainment"],"_links":{"self":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/15200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/comments?post=15200"}],"version-history":[{"count":1,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/15200\/revisions"}],"predecessor-version":[{"id":15208,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/15200\/revisions\/15208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media\/15206"}],"wp:attachment":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media?parent=15200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/categories?post=15200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/tags?post=15200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}