{"id":15192,"date":"2023-06-16T07:02:00","date_gmt":"2023-06-16T06:02:00","guid":{"rendered":"https:\/\/aata.dev\/?p=15192"},"modified":"2023-06-16T07:09:47","modified_gmt":"2023-06-16T06:09:47","slug":"john-williams-film-music","status":"publish","type":"post","link":"https:\/\/aata.dev\/index.php\/2023\/06\/16\/john-williams-film-music\/","title":{"rendered":"JOHN WILLIAMS\u00b4 FILM MUSIC"},"content":{"rendered":"\n

From Jaws to Star Wars<\/strong><\/p>\n\n\n\n

accompanied by Norman Warwick and<\/strong><\/p>\n\n\n\n

JOHN WILLIAMS\u00b4 FILM MUSIC<\/strong><\/p>\n\n\n\n

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From the triumphant “Main Title” in Star Wars<\/em><\/strong> to the ominous bass line of Jaws<\/em>, John Williams (left)<\/em><\/strong> has penned some of the most unforgettable film scores-while netting more than fifty Academy Award nominations. This updated and revised edition of Emilio Audissino’s ground-breaking volume takes stock of Williams’s creative process and achievements in music composition, including the most recent sequels in the film franchises that made him famous. Audissino discusses Williams’s unique approach to writing by examining his neoclassical style in context, demonstrating how he revived and revised classical Hollywood music. This volume details Williams’s lasting impact on the industry and cements his legacy as one of the most important composers in movie history. A must for fans and film-music lovers alike.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

l<\/strong><\/p>\n\n\n\n

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we\u00b4re gonna need a bigger boat, sorry, bookshelf for book number 23<\/em><\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

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The Film Music Of John Williams                      Title<\/strong><\/p>\n\n\n\n

Emilio Audissino                                                   Author<\/strong><\/p>\n\n\n\n

$24.95<\/s><\/strong>  $23.20                                                        Price      <\/strong><\/p>\n\n\n\n

University of Wisconsin Press                              Publisher  <\/strong><\/p>\n\n\n\n

July 06, 2021                                                date published<\/strong><\/p>\n\n\n\n

376                                                                          pages<\/strong><\/p>\n\n\n\n

English                                                                   Language<\/strong><\/p>\n\n\n\n

Type                                                                        Paperback<\/strong><\/p>\n\n\n\n

EAN\/UPC                                                      9780299332341<\/strong><\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Emilio Audissino (below) is a senior lecturer in audio-visual production at Linnaeus University. He is the author of Film\/Music Analysis: A Film Studies Approach<\/em>.<\/p>\n\n\n\n

He has described himself on line as I am an author, film-maker, screenwriter, and film academic. With a specialism in film analysis and screenwriting, and two PhDs in Film History and Theory, I can say I\u2019m a veritable \u201cscript doctor.\u201d I published extensively on Hollywood cinema, horror, comedy, and film music, and I\u2019m renowned world-wide as the pioneering scholar who wrote the first English book on composer John Williams \u2013 John Williams\u2019s Film Music (2014).<\/p>\n\n\n\n

As a film-maker and screenwriter I have worked in production companies in Milan, Italy, and as a freelancer for documentaries and commercials. I wrote and directed the fiction shorts Davanti al mare [At Sea] (2004), La Dolce Eleonora e L\u2019amaro Calice [Sweet Eleonora and the Bitter Cup] (2007) and Yoshiwara Club (2008), a horror extravaganza that was selected for the 61st edition of the \u201cCannes Film Festival\u201d, and was screened at other festivals such as the \u201cGenoa Film Festival\u201d (Genoa, Italy), the \u201cTOHORROR Film Festival\u201d (Turin, Italy), the \u201cJoe D\u2019Amato Horror Film Festival\u201d (Lucca, Italy), the \u201cShockerFest\u201d (Modesto, CA, USA) and the \u201cSpooky Movie Festival\u201d (Washington DC, USA). As a screenwriter, I\u2019m currently working on the development of the European comedy\/drama TV series Blu Riviera.<\/p>\n","protected":false},"excerpt":{"rendered":"

John Williams has penned some of the most unforgettable film scores-while netting more than fifty Academy Award nominations<\/p>\n","protected":false},"author":2,"featured_media":15198,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,45],"tags":[],"class_list":["post-15192","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literary","category-music"],"_links":{"self":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/15192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/comments?post=15192"}],"version-history":[{"count":3,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/15192\/revisions"}],"predecessor-version":[{"id":15297,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/15192\/revisions\/15297"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media\/15198"}],"wp:attachment":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media?parent=15192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/categories?post=15192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/tags?post=15192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}