{"id":14930,"date":"2023-05-31T07:35:33","date_gmt":"2023-05-31T06:35:33","guid":{"rendered":"https:\/\/aata.dev\/?p=14930"},"modified":"2023-06-04T08:35:26","modified_gmt":"2023-06-04T07:35:26","slug":"the-music-of-gordon-lightfoot","status":"publish","type":"post","link":"https:\/\/aata.dev\/index.php\/2023\/05\/31\/the-music-of-gordon-lightfoot\/","title":{"rendered":"THE MUSIC OF GORDON LIGHTFOOT"},"content":{"rendered":"\n

Norman Warwick recalls how Pete Benbow introduced him to<\/strong><\/p>\n\n\n\n

THE MUSIC OF GORDON LIGHTFOOT<\/strong><\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

When Colin Lever and I (as Lendanear, left)<\/strong>) opened a folk club at The Kings head in Heywood, North Manchester in the late seventies we thought that with Colin\u00b4s familiarity with the Cat Stevens\u00b4 albums of the era, and my own love of all things Paxton, Dylan Baez and Paul Simon we might make expert hosts. We were at first just a weekly gathering of artists delivering floor spots, but among may performers who blew us away with their folk knowledge, artist awareness and song collections was Pete Benbow. You know how memory loves to tell a story,\u2026.well, I honestly can\u00b4t be sure, but the strooy being dragged from my memory is of \u00b4the singing postman\u00b4 introdeucing himself to us and asking for a floor spot. All the floor singers would deliver one song ion the first half and two in the second.<\/em><\/p>\n\n\n\n

From Pete\u00b4s first spot I learned that American Writer and performer John Stewart,(former Kingston Trio member and writer of Daydream Believer recorded by The Monkees) was now working in the States in a solo capacity and had already recorded an alkbum or two. I had loved his work in the Kingston Trio and so Pete\u00b4s spot led me into a life-long fandom oF Stewart and pete and I went down to London together to see John perform at The Bloomsbury Theatre, and I would subsequently interview the American musicn several times over the next decade or three.<\/em><\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Pete\u00b4s second half show had a profound effect on me too, because he performed If You Could Read My Mind and The Wreck Of The Edmund Fitzgerald. Not all folk club performers in those days attributed the songs they were performing to the composers, but Pete (right) always did so, and often with an enthusiastic, but objective, comment about their talents, And so I heard the name of Gordon Lightfoot, a name with which I was familiar from the readio but I only realy knew his radio-friendly If You Could Read My Mind pop hit. That second song that Pete sang I hadn\u00b4t heard before and it blew me away. Pete was often a light and comedic entertainer, (what he could do wioth a Satsuma was nobody\u00b4s business) but he alwas delivered songs with the gravitas they deserved. That evening he delivered such a ghostly, lonely and slightly scary verion of the The Wreck of The Edmund Fitzgerald that the following day  I bought a Gordon Lightfoot album that included the song and over the years would acquire several Lightfoot albums.<\/em><\/p>\n\n\n\n

I am reminded of all this by newS of the recent death of the singer-songwriter<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"
GORDON LIGHTFOOT<\/figcaption><\/figure><\/div>\n\n\n\n

Gordon Lightfoot, was a Canadian balladeer who was hailed for capturing the essence of his native land as a storyteller and memory keeper with songs such as \u2018The Wreck of the Edmund Fitzgerald\u2019<\/em><\/h2>\n\n\n\n

GORDON LIGHTFOOT DIES AT 84. RIP<\/strong><\/p>\n\n\n\n

The Washington Post carried an informative and respectful obituary piece written by Brian Murphy and Kelsey Ables, saying<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Gordon Lightfoot\u00b4s <\/strong> songs of longing, loss and memory made him one of the 1970s\u2019 most popular recording artists, with hits such as \u201cIf You Could Read My Mind,\u201d about his failed marriage, and \u201cThe Wreck of the Edmund Fitzgerald,\u201d which recounts a tragic sinking in the Great Lakes, died May 1 in Toronto. He was 84.<\/p>\n\n\n\n

His publicist, Victoria Lord, confirmed the death but gave no cause. In April, Mr. Lightfoot cancelled all his tour dates<\/a> for this year because of health problems.<\/p>\n\n\n\n

With a molasses-rich baritone and a soulful 12-string guitar, Mr. Lightfoot found international fame along with others, such as Neil Young, Leonard Cohen<\/a> and Joni Mitchell, who were emerging from Canadian coffeehouses and clubs in the 1960s.<\/p>\n\n\n\n

Mr. Lightfoot remained close to his roots as a Canadian troubadour, however, often seeking to evoke the grandeur and mystery of the country\u2019s vastness. He embarked on long canoe expeditions into Canada\u2019s hinterlands \u2014 \u201cwhere,\u201d he said, \u201cthe rivers run north into the Arctic Ocean\u201d \u2014 and tried to convey the feelings of solitude in his work.<\/p>\n\n\n\n

He said his song \u201cSundown\u201d<\/a> (1974) was inspired by the colours of dusk when he was living in a Canadian farmhouse \u2014 and was interwoven into a cautionary tale about his onetime girlfriend, the backup singer Cathy Smith<\/a>, who was convicted in the overdose death of the comedy star John Belushi after she injected him with heroin and cocaine in 1982.<\/p>\n\n\n\n

Mr. Lightfoot\u2019s expansive \u201cCanadian Railroad Trilogy\u201d<\/a> (1967) became such a beloved anthem to Canada that it is regularly performed by school choirs.<\/p>\n\n\n\n

\u201cIf there was a Mount Rushmore in Canada, Gordon would be on it,\u201d the Canadian musician Tom Cochrane said in a 2019 documentary <\/a>about Mr. Lightfoot, \u201cIf You Could Read My Mind.\u201d Geddy Lee, the lead singer of the Canadian rock band Rush, called him \u201cour poet laureate.\u201d<\/p>\n\n\n\n

Mr. Lightfoot faced private struggles, however. Even as he reached the height of his success, he was sinking into alcoholism that shattered his relationships and clouded his creativity. He also had bouts of facial paralysis from the neurological disorderBell\u2019s palsy. \u201cI created emotional trauma in a whole lot of people,\u201d he said.<\/p>\n\n\n\n

He said he stopped drinking in 1982 and resumed recording and touring. In 2002, shortly before taking the stage in his hometown of Orillia, Ontario, Mr. Lightfoot collapsed and was near death during a six-week coma because of an aneurysm<\/a> in his abdominal aorta.<\/p>\n\n\n\n

He spent two years recovering and returned to the stage and studio, making a total of more than 20 albums. Among those he credited with helping him rebound, he said, was his friend Bob Dylan, who advised him about the \u201cwork ethic\u201d needed to turn an idea into a song. It was all about, Mr. Lightfoot said, \u201cjust getting the job done.\u201d<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Mr. Lightfoot was a notable solo performer on Canada\u2019s folk music scene long before he came to attention on the U.S. charts in 1965 with a hit version of his song \u201cEarly Morning Rain\u201d<\/a> by the folk duo Ian & Sylvia (left). Peter, Paul and Mary followed up with a cover of the song and also with Mr. Lightfoot\u2019s \u201cFor Lovin\u2019 Me.\u201d <\/a>(Mr. Lightfoot thought Elvis Presley\u2019s 1972 cover<\/a> of \u201cEarly Morning Rain\u201d was among the best.)<\/p>\n\n\n\n

In addition, Marty Robbins hit the top of the Billboard country charts in 1965 with Mr. Lightfoot\u2019s \u201cRibbon of Darkness.\u201d<\/a><\/p>\n\n\n\n

Beginning in 1970 with \u201cIf You Could Read My Mind,\u201d Mr. Lightfoot\u2019s lyrical imagery and warbling, slow-roll vocals became a staple of Top 40 radio for the nextsixyears, including \u201cSundown,\u201d which reached the top <\/a>of the Billboard Hot 100 chart, and 1974\u2019s \u201cCarefree Highway,\u201d<\/a> which he said came from a highway sign for Carefree, Ariz., he glimpsed on a night time drive from Flagstaff to Phoenix.<\/p>\n\n\n\n

A Canadian Broadcasting Corp. interviewer once asked Mr. Lightfoot for the essential playlist to understand his music. At the top, he said, was the 1976 hit \u201cThe Wreck of the Edmund Fitzgerald,\u201d perhaps his most distinctive piece, which he wrote after reading an article about the sinking<\/a> of an iron-ore vessel on Lake Superior during a storm in 1975. All 29 crew members perished.<\/p>\n\n\n\n

The fate of the doomed ship unfolds like an epic poem from the song\u2019s <\/a>first lines: \u201cThe legend lives on from the Chippewa on down\/ Of the big lake they call Gitche Gumee.\u201d And to his closing: \u201cSuperior, they said, never gives up her dead\/ When the gales of November come early.\u201d<\/p>\n\n\n\n

\u201cAs he\u2019s singing it, you\u2019re getting the strong sense that not only is one ship going down, but a whole way of life is disappearing,\u201d Robert Everett-Green, a former Toronto Globe and Mail music critic, told<\/a> NPR. \u201cIt\u2019s something kind of dusty and genuine and isolated, and it\u2019s gone.\u201d (The song peaked<\/a> at No. 2 on the Billboard Hot 100.)<\/p>\n\n\n\n

If you could read Gordon Lightfoot\u2019s mind, this is the tale his thoughts could tell<\/em><\/a><\/p>\n\n\n\n

Mr. Lightfoot performed more than 2,500 concerts during his career but could be reticent and uneasy when reporters asked for personal insights into his work and legacy.<\/p>\n\n\n\n

Mr. Lightfoot, who once called himself a \u201ccosmopolitan hick,\u201d<\/a> had a shyness that could leave people wanting more. An interviewer <\/a>on Canada\u2019s \u201cBreakfast Television\u201d show triedto coax his thoughts on being considered a \u201cCanadian icon.\u201d He quickly pivoted to talk about nature.<\/p>\n\n\n\n

During an interview for a 2019 Rolling Stone<\/a> profile, Mr. Lightfoot said he believed storytelling was at the heart of his success.<\/p>\n\n\n\n

\u201cThey\u2019re all tunes that move along and have a forward momentum,\u201d he said, \u201cwhich is what I look for in my writing. Forward momentum.\u201d<\/p>\n\n\n\n

Gordon Meredith Lightfoot Jr. was born in Orillia, Ontario, on Nov. 17, 1938. His father managed a dry cleaning facility, and his mother was a homemaker.<\/p>\n\n\n\n

His performing debut was at 5 singing \u201cI\u2019m a Little Teapot\u201d at a church Sunday school gathering. He joined the church choir, performed on local radio shows and, at 13, won a talent contest at the Kiwanis Music Festival held at Toronto\u2019s Massey Hall.<\/p>\n\n\n\n

Mr. Lightfoot studied at Westlake College of Music in Los Angeles and returned to Canada, appearing with a song-and-dance troupe on the CBC-TV show \u201cCountry Hoedown,\u201d where he was nicknamed Gord Leadfoot because of his less-than-elegant dancing style. A fellow performer joined Mr. Lightfoot to form a folk duo, the Two Tones, and cut a live album in 1962, \u201cTwo Tones at the Village Corner.\u201d<\/p>\n\n\n\n

Mr. Lightfoot moved to Britain, where he hosted a BBC country music telecast. The surge in folk music with a political edge in the 1960s, led by performers such as Dylan and Tom Paxton, brought Mr. Lightfoot back to the United States.<\/p>\n\n\n\n

In 1965, he appeared at the Newport Folk Festival<\/a> in Rhode Island and soonsigned with manager Albert Grossman, who also represented Dylan and Peter, Paul and Mary. He recorded his first solo album, \u201cLightfoot!,\u201d in 1966. He later wrote songs about the 1967 Detroit riots (\u201cBlack Day in July\u201d<\/a>), whale hunting and pollution \u2014 although he said he did not see himself as a protest singer.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

\u201cI just want to retain my youthful outlook in everything \u2014 not grow old, congeal,\u201d he told The Washington Post in 1974. \u201cStay curious, questioning.\u201d<\/p>\n\n\n\n

At his home in Toronto, Mr. Lightfoot had a placard saying: Anger can kill you. It was, he said, a reminder of his past abuses with alcohol that brought on mood swings. \u201cI want to stay happy,\u201d he told the CBC <\/a>in 2019.<\/p>\n\n\n\n

In March 2020, Mr. Lightfoot released the album \u201cSolo,\u201d<\/a> which featured Mr. Lightfoot and his guitar. The reviewer Greg Cahill on the music site the Absolute Sound <\/a>praised its \u201cemotional rawness.\u201d<\/p>\n\n\n\n

Mr. Lightfoot\u2019s marriages to Brita Olaisson and Elizabeth Moon ended in divorce. Survivors include his wife of nine years, Kim Hasse; two children from his first marriage; two children from his second marriage; two sons from other relationships; and several grandchildren.<\/p>\n\n\n\n

Mr. Lightfoot described himself as a songwriter always seeking the \u201cperfect poem.\u201d<\/p>\n\n\n\n

\u201cIt\u2019s hard on your mind, and it takes a toll on your nerves,\u201d he told the CBC<\/a>. \u201cAnd you obsess over it. You are driven to it.\u201d<\/p>\n\n\n\n

acknowledgements<\/em><\/strong><\/p>\n\n\n\n

please note logo <\/strong>The primary sources for  this piece were written for  the Washington Post  by Brian Murphy and Kelsey Ables. <\/em><\/strong><\/p>\n\n\n\n

By Brian Murphy<\/a><\/p>\n\n\n\n

Brian Murphy joined The Washington Post after more than 20 years as a foreign correspondent and bureau chief for the Associated Press in Europe and the Middle East. Murphy has reported from more than 50 countries and has written four books. Twitter<\/a><\/p>\n\n\n\n

By Kelsey Ables<\/a><\/p>\n\n\n\n

Kelsey Ables is a reporter at The Washington Post’s Seoul hub, where she covers breaking news in the United States and across the world. She was previously on the Features desk, where she wrote about art, architecture and pop culture.  Twitter<\/a><\/p>\n\n\n\n

Images employed have been taken from on line sites only where  categorised as  images free to use.<\/strong><\/p>\n\n\n\n

also\u00a8<\/strong><\/p>\n\n\n\n

cover photo.  <\/strong>(Chris Young\/Canadian Press\/AP)<\/p>\n\n\n\n

photo 1        (Timothy A. Clary\/AFP\/Getty Images<\/strong>)<\/strong>  <\/strong><\/strong><\/p>\n\n\n\n

for a more comprehensive detail of our attribution policy see our for reference only post on 7th<\/sup> April entitled Aspirations And Attributions.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cIf there was a Mount Rushmore in Canada, Gordon would be on it,\u201d the Canadian musician Tom Cochrane said in a 2019\u00a0documentary\u00a0about Mr. Lightfoot, \u201cIf You Could Read My Mind.\u201d Geddy Lee, the lead singer of the Canadian rock band Rush, called him \u201cour poet laureate.\u201d<\/p>\n","protected":false},"author":2,"featured_media":14938,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[],"class_list":["post-14930","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/14930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/comments?post=14930"}],"version-history":[{"count":2,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/14930\/revisions"}],"predecessor-version":[{"id":14939,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/14930\/revisions\/14939"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media\/14938"}],"wp:attachment":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media?parent=14930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/categories?post=14930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/tags?post=14930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}