{"id":14302,"date":"2023-04-14T07:43:21","date_gmt":"2023-04-14T06:43:21","guid":{"rendered":"https:\/\/aata.dev\/?p=14302"},"modified":"2023-04-14T07:43:22","modified_gmt":"2023-04-14T06:43:22","slug":"finale-stephen-sondheim","status":"publish","type":"post","link":"https:\/\/aata.dev\/index.php\/2023\/04\/14\/finale-stephen-sondheim\/","title":{"rendered":"FINALE: STEPHEN SONDHEIM"},"content":{"rendered":"\n<p><strong>Norman Warwick reads a<\/strong><\/p>\n\n\n\n<p><strong>A WEST-SIDE STORY OF SONDHEIM<\/strong><\/p>\n\n\n\n<p>An intimate portrait of a genius: the late Stephen Sondheim, is a series of illuminating and deeply personal interviews from the last years of his life that show the composer-lyricist as he has likely never been seen before.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/04\/1-2.jpg\" alt=\"\" class=\"wp-image-14308\" width=\"202\" height=\"237\" \/><\/figure><\/div>\n\n\n\n<p>In 2017,&nbsp;<em>New Yorker<\/em>&nbsp;staff writer D.T. Max began working on a major profile of Stephen Sondheim that would be timed to the eventual premiere of a new musical Sondheim was writing. Sadly, that process &#8211; and the years of conversation &#8211; was cut short by Sondheim&#8217;s own hesitations, then the global pandemic, and finally by the great artist&#8217;s death in November 2021.<\/p>\n\n\n\n<p>Now, Max has taken the raw version of these conversations and knit them together into an unforgettable work of literature and celebration.&nbsp;<em>Finale<\/em>&nbsp;reveals Sondheim as a star who disliked the spotlight. We hear the composer at his most relaxed, thoughtful, sardonic, and engaging, as he talks about work, music, movies, family, New York City, aging, the creative process, and much more.<\/p>\n\n\n\n<p>Max brings you into the room and gives you a front row seat for their unusual and intimate three-year-long &#8220;pas de deux.&#8221; The two bond, spar, separate, and reunite, as Max elicits from Sondheim a candour and vulnerability he seldom displayed in public.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/04\/we\u00b4re-gonna-need-a-bigger-shelf-1.jpg\" alt=\"\" class=\"wp-image-14305\" width=\"437\" height=\"384\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong>we\u00b4re gonna need a bigger bookshelf for book number 14<\/strong><\/p>\n\n\n\n<p>This is a unique portrait of an artist in his twilight, offering remarkable insight into the mind and heart of a genius whose work changed American musical theater and popular culture forever.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/04\/cover-3.jpg\" alt=\"\" class=\"wp-image-14306\" width=\"239\" height=\"360\" \/><\/figure><\/div>\n\n\n\n<p>Title&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Finale: Stephen Sondheim<\/p>\n\n\n\n<p>Author&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; D T Max<\/p>\n\n\n\n<p>Price&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <s>$20.99<\/s>&nbsp;&nbsp;<strong>$19.52<\/strong><\/p>\n\n\n\n<p>Publishe&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Harper<\/p>\n\n\n\n<p>Publish Date&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; November 22, 2022<\/p>\n\n\n\n<p>Pages&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 240<\/p>\n\n\n\n<p>Dimensions&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5.3 X 7.3 X 1.2 inches | 0.6 pounds<\/p>\n\n\n\n<p>Language&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; English<\/p>\n\n\n\n<p>Type&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hardcover<\/p>\n\n\n\n<p>EAN\/UPC&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 9780063279810<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/04\/2-1.jpg\" alt=\"\" class=\"wp-image-14331\" width=\"438\" height=\"204\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/04\/2-1.jpg 329w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/04\/2-1-300x140.jpg 300w\" sizes=\"auto, (max-width: 438px) 100vw, 438px\" \/><\/figure><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Norman Warwick reads a A WEST-SIDE STORY OF SONDHEIM An intimate portrait of a genius: the late Stephen Sondheim, is a series of illuminating and deeply personal interviews from the last years of his life that show the composer-lyricist as he has likely never been seen before. In 2017,&nbsp;New Yorker&nbsp;staff writer D.T. Max began working [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":14331,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14302","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorised"],"_links":{"self":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/14302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/comments?post=14302"}],"version-history":[{"count":3,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/14302\/revisions"}],"predecessor-version":[{"id":14332,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/14302\/revisions\/14332"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media\/14331"}],"wp:attachment":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media?parent=14302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/categories?post=14302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/tags?post=14302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}