{"id":13682,"date":"2023-02-22T10:37:29","date_gmt":"2023-02-22T10:37:29","guid":{"rendered":"https:\/\/aata.dev\/?p=13682"},"modified":"2023-02-22T10:41:10","modified_gmt":"2023-02-22T10:41:10","slug":"joy-for-jazz-grammy-winners-2023","status":"publish","type":"post","link":"https:\/\/aata.dev\/index.php\/2023\/02\/22\/joy-for-jazz-grammy-winners-2023\/","title":{"rendered":"joy for JAZZ GRAMMY WINNERS 2023"},"content":{"rendered":"\n

joy for JAZZ GRAMMY winners<\/strong><\/p>\n\n\n\n

shared by Norman Warwick<\/strong><\/p>\n\n\n\n

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<\/em><\/strong>Best Improvised Jazz Solo<\/strong><\/em><\/strong><\/p>\n\n\n\n

Ambrose Akinmusire, “Rounds (Live)”<\/p>\n\n\n\n

Gerald Albright, “Keep Holding On”<\/p>\n\n\n\n

Melissa Aldana, “Falling”<\/p>\n\n\n\n

Marcus Baylor, “Call of the Drum”<\/p>\n\n\n\n

John Beasley, “Cherokee\/Koko”<\/p>\n\n\n\n

Wayne Shorter and Leo Genovese, “Endangered Species”<\/strong><\/p>\n\n\n\n

Wayne Shorter (left)<\/em><\/strong> is an American jazz saxophonist and composer. Shorter came to prominence in the late 1950s as a member of, and eventually primary composer for, Art Blakey’s Jazz Messengers. In the 1960s, he joined Miles Davis’s Second Great Quintet, and then co-founded the jazz fusion band Weather Report. <\/p>\n\n\n\n

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Best Jazz Vocal Album<\/strong><\/p>\n\n\n\n

The Baylor Project, The Evening: Live at APPARATUS<\/a><\/p>\n\n\n\n

Carmen Lundy, Fade to Black<\/a><\/p>\n\n\n\n

C\u00e9cile McLorin Salvant, Ghost Song<\/a><\/p>\n\n\n\n

The Manhattan Transfer with the WDR Funkhausorchester, Fifty<\/a><\/p>\n\n\n\n

Samara Joy,<\/strong>Linger Awhile<\/strong><\/a><\/u><\/em><\/strong><\/p>\n\n\n\n

Samara Joy McLendon is an American jazz singer. She released her self-titled debut album in 2021 and was subsequently named Best New Artist by JazzTimes. Her paternal grandparents, Elder Goldwire and Ruth McLendon, sang in the famed soul gospel Philadelphia group, The Savettes. Joy’s father is Antonio McLendon, a singer and bassist who toured for years with another gospel star, Andra\u00e9 Crouch.<\/p>\n\n\n\n

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Best Jazz Instrumental Album<\/strong><\/p>\n\n\n\n

Joshua Redman, Brad Mehldau, Christian McBride and Brian Blade, LongGone<\/a><\/p>\n\n\n\n

Peter Erskine Trio, Live in Italy<\/a><\/p>\n\n\n\n

Terri Lyne Carrington, Kris Davis, Linda May Han Oh, Nicholas Payton and Matthew Stevens, <\/strong>New Standards, Vol. 1<\/strong><\/a><\/strong><\/p>\n\n\n\n

Congratulations to Terri Lyne Carrington (left)<\/em><\/strong>, who won the GRAMMY Award for Best Instrumental Jazz Album for her ground-breaking project, new STANDARDS Vol. 1<\/strong><\/a>. The other project she released, Live At The Detroit Jazz Festival by Wayne Shorter, Terri Lyne Carrington, Leo Genovese and esperanza spalding, earned a win in the Best Improvised Jazz Solo category for Wayne Shorter & Leo Genovese\u2019s recording of \u201cEndangered Species.\u201d<\/p>\n\n\n\n

Carrington entered the GRAMMY Awards this weekend with four nominations for new STANDARDS Vol. 1 and Live At The Detroit Jazz Festival, released on Candid Records. Each album was nominated in both the Best Jazz Instrumental Album and Best Improvised Jazz Solo category. Carrington, who is the producer and a performer on both albums, is an NEA Jazz Master, virtuoso jazz drummer, composer, interdisciplinary artist, activist, educator, 7-time GRAMMY nominee, and now a 4-time winner. Earlier this week Carrington was also honored by the Recording Academy\u2019s Producers and Engineers Wing at their annual event. <\/p>\n\n\n\n