{"id":13569,"date":"2023-02-13T09:18:56","date_gmt":"2023-02-13T09:18:56","guid":{"rendered":"https:\/\/aata.dev\/?p=13569"},"modified":"2023-02-13T09:23:43","modified_gmt":"2023-02-13T09:23:43","slug":"more-folk-n-good-music","status":"publish","type":"post","link":"https:\/\/aata.dev\/index.php\/2023\/02\/13\/more-folk-n-good-music\/","title":{"rendered":"MORE FOLK \u00b4N GOOD MUSIC"},"content":{"rendered":"\n<p><strong>MORE FOLK \u00b4N GOOD MUSIC <\/strong><strong>from English folk expo<\/strong><\/p>\n\n\n\n<p><strong>shared by Norman Warwick<\/strong><\/p>\n\n\n\n<p>Today we deliver news of opportunities for aspirant folk musicians and for others who might want to serve the folk music scene in a different capacity, plus details of the January album folk music charts.<\/p>\n\n\n\n<p>Back in my days on the folk circuit some forty years ago there was a vast no-man\u00b4s land and some intense suspicion between traditions and contemporary folk music, much as there once was (still is?) in Jazz. UK Folk has found an arbitrator and revivalist in the English Folk Expo organisation and Jazz fans can settle their differences over Steve Bewick\u00b4s weekly eclectic mix cloud jazz presentation of Hot Biscuits.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/1-5-1030x579.jpg\" alt=\"\" class=\"wp-image-13570\" width=\"223\" height=\"125\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/1-5-1030x579.jpg 1030w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/1-5-300x169.jpg 300w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/1-5-768x432.jpg 768w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/1-5-1536x864.jpg 1536w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/1-5-1500x844.jpg 1500w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/1-5-705x397.jpg 705w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/1-5-600x338.jpg 600w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/1-5.jpg 1920w\" sizes=\"auto, (max-width: 223px) 100vw, 223px\" \/><\/figure><\/div>\n\n\n\n<p>The <a rel=\"noreferrer noopener\" href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=6a71b80457&amp;e=87a9652e50\" target=\"_blank\"><strong>Official Folk Albums Chart Show<\/strong><\/a> from Folk on Foot features an interview with James Yorkston and Nina Persson about their brilliant new album with the Second Hand Orchestra. There\u2019s also music from Rachael Dadd, David Carroll and Friends, Breabach, Martyn Joseph, Manran, Magpie Arc and The Mary Wallopers. The show launched at 7pm GMT on Tuesday 7<sup>th<\/sup> February on the Folk on Foot YouTube channel and podcast.<\/p>\n\n\n\n<p>Early bird delegate passes for English Folk Expo (EFE) &#8217;23, running from Thu 19th through to late on Sat 21st \/ early Sun 22nd October in the Northern Quarter of Manchester, England, are now available.We have made it easier than ever to secure your delegate pass this year, allowing delegate to book directly via our website.&nbsp; Early bird passes are \u00a3140 + VAT and will get delegates access to all live performances, including all Manchester Folk Festival public performances, all private delegate showcases, drinks receptions, international partnership showcases, the trade fair, the late night festival club and more.&nbsp; This year delegates and artists will also have access to the artist training conference and also to the conference programme to the <a href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=1500298d44&amp;e=87a9652e50\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>European Folk Network<\/strong><\/a> whose conference will be hosted by English Folk Expo this year.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-8-1030x579.jpg\" alt=\"\" class=\"wp-image-13571\" width=\"421\" height=\"237\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-8-1030x579.jpg 1030w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-8-300x169.jpg 300w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-8-768x432.jpg 768w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-8-705x397.jpg 705w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-8-600x338.jpg 600w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-8.jpg 1200w\" sizes=\"auto, (max-width: 421px) 100vw, 421px\" \/><\/figure><\/div>\n\n\n\n<p>Thanks to <a rel=\"noreferrer noopener\" href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=5e4070f71f&amp;e=87a9652e50\" target=\"_blank\">Your Roots Are Showing<\/a>, <a rel=\"noreferrer noopener\" href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=b1b7678823&amp;e=87a9652e50\" target=\"_blank\">UK\u00a0<\/a><a rel=\"noreferrer noopener\" href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=d43324aff6&amp;e=87a9652e50\" target=\"_blank\">Americana Music Week<\/a> and <a rel=\"noreferrer noopener\" href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=c419352149&amp;e=87a9652e50\" target=\"_blank\">Showcase Scotland<\/a> for welcoming our EFEx representatives in January. The photo <strong><em>(right<\/em><\/strong>) shows <em>Americana Music Association UK with 22\/23 Artist Mentoring Programme participants Hannah Scott, George Boomsma and Heather Ferrier with past programme alumni Chloe Foy, Katherine Priddy, Amelia Coburn and Dom Stitchbury (with EFEx&#8217;s Tom Besford)<\/em><\/p>\n\n\n\n<p><br>We know how much work goes into making these vital meeting points for the industry a success and allow our industry to keep moving artists&#8217; careers forward, so thanks to everyone involved front and back of house for all your efforts.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-1030x1030.png\" alt=\"\" class=\"wp-image-13572\" width=\"168\" height=\"168\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-1030x1030.png 1030w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-300x300.png 300w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-80x80.png 80w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-768x768.png 768w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-36x36.png 36w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-180x180.png 180w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-705x705.png 705w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-100x100.png 100w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3-600x600.png 600w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/3.png 1080w\" sizes=\"auto, (max-width: 168px) 100vw, 168px\" \/><\/figure><\/div>\n\n\n\n<p>EFE are delighted to share the 2022 report on our progress towards a more representative folk, roots and acoustic sector. English Folk Expo has a dedicated Trustee Champion in this area, Katy Rose Bennett <strong><em>(left)<\/em><\/strong> who recently appeared on a panel about access at AMA-UK.<\/p>\n\n\n\n<p> Manchester Folk Festival 2023 Early Bird <a rel=\"noreferrer noopener\" href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=75d3f970cd&amp;e=87a9652e50\" target=\"_blank\">Three-Day Festival Passes<\/a> have now SOLD OUT!<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=79009d24b1&amp;e=87a9652e50\" target=\"_blank\">1st Release <\/a><a rel=\"noreferrer noopener\" href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=794b75e9e4&amp;e=87a9652e50\" target=\"_blank\">Festival Passes<\/a> are now on sale for \u00a390 (+\u00a37.20 booking fee).<br><br>The Three-Day Festival Pass is the best way to take advantage of the full variety of our programme, dipping in where you feel, with full access to every gig from Thursday to Saturday. Make new discoveries and enjoy old favourites with the freedom that the Pass offers.<\/p>\n\n\n\n<p>Meanwhile, though, upcoming folk gigs in the Manchester area include<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/6-1-1030x1030.png\" alt=\"\" class=\"wp-image-13576\" width=\"-1481\" height=\"-1481\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/6-1-1030x1030.png 1030w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/6-1-300x300.png 300w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/6-1-80x80.png 80w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/6-1-768x768.png 768w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/6-1-36x36.png 36w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/6-1-180x180.png 180w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/6-1-705x705.png 705w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/6-1-100x100.png 100w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/6-1-600x600.png 600w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/6-1.png 1080w\" sizes=\"(max-width: 1030px) 100vw, 1030px\" \/><\/figure><\/div>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=b253504a3d&amp;e=87a9652e50\" target=\"_blank\"><strong>McGoldrick, McCusker &amp; Doyle<\/strong><\/a> <strong>17 March | Waterside, Sale<\/strong><br>With their vast repertoire, this will be an evening to remember. Described as the masters of flute, fiddle, song and guitar they have worked with the biggest and brightest and bring you a night of beautifully crafted music <strong>(right)<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=6064cac3b5&amp;e=87a9652e50\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>O&#8217;Hooley &amp; Tidow<\/strong><\/a> <strong>22 Apr | Hall\u00e9 St. Peter&#8217;s<\/strong><br>Much loved Yorkshire folk duo Belinda O\u2019Hooley and Heidi Tidow&#8217;s boundless songwriting has been described by The Guardian as \u2018exceptional\u2019 and The Independent as \u2018defiant, robust, northern, poetical, political folk music for the times we live in.\u2019<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/8-1030x1030.png\" alt=\"\" class=\"wp-image-13577\" width=\"315\" height=\"315\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/8-1030x1030.png 1030w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/8-300x300.png 300w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/8-80x80.png 80w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/8-768x768.png 768w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/8-36x36.png 36w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/8-180x180.png 180w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/8-705x705.png 705w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/8-100x100.png 100w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/8-600x600.png 600w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/8.png 1080w\" sizes=\"auto, (max-width: 315px) 100vw, 315px\" \/><\/figure><\/div>\n\n\n\n<p>T<a rel=\"noreferrer noopener\" href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=758dbff511&amp;e=87a9652e50\" target=\"_blank\"><strong>he <\/strong><\/a><a href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=e47a8b4b11&amp;e=87a9652e50\"><strong>John Marty<\/strong><\/a><a href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=2cab27a884&amp;e=87a9652e50\"><strong>n Project<\/strong><\/a> &#8211; <strong>27 Apr | Hall\u00e9 at St. Michael&#8217;s<\/strong> <strong>(left)<\/strong> <br>Back in Manchester by popular demand is this special project where six artists come together to celebrate the music of John Martyn. Each brings their own story and connection to John\u2019s music which adds to the fabric of the overall experience of the project.<\/p>\n\n\n\n<p>The EFE special recommendatiuon this month is<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/5-1030x1030.png\" alt=\"\" class=\"wp-image-13574\" width=\"137\" height=\"137\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/5-1030x1030.png 1030w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/5-300x300.png 300w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/5-80x80.png 80w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/5-768x768.png 768w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/5-36x36.png 36w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/5-180x180.png 180w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/5-705x705.png 705w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/5-100x100.png 100w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/5-600x600.png 600w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/5.png 1080w\" sizes=\"auto, (max-width: 137px) 100vw, 137px\" \/><\/figure><\/div>\n\n\n\n<p> <a rel=\"noreferrer noopener\" href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=b2cb93f950&amp;e=87a9652e50\" target=\"_blank\"><strong>FRANKIE ARCHER <\/strong><\/a>Thurs 9th Feb | The Talleyrand<br>Global Northumbrian fiddler, singer, and songwriter Frankie Archer <strong>(left)<\/strong> is back in Manchester after a stunning performance at our 2022 festival.<br>\u00a0<em>\u201cGorgeous trad playing and creative vocal twists&#8230; a fascinating and intoxicating blend of the contemporary and traditional\u201d<\/em><\/p>\n\n\n\n<p>&#8211; Mark Radcliffe BBC Radio 2 Folk Show<\/p>\n\n\n\n<p>I am not sure that there was ever such a thing as an official Folk Music chart when Colin Lever and I were imploring audiences at our folk club gigs to Lendanear.. Despite including traditional numbers such as Froggy Went A- Courtin\u00b4 and our own songs with desperate titles like Just Listen Don\u00b4t Talk our audiences always seemed unsure not only of whether our kind of music should be played in their kind of club but also whether or not it should be played at all ! We just thought we were playing folk \u00b4n good music !<\/p>\n\n\n\n<p>This month\u00b4s folk music charts are pretty exciting, too, with an album rocketing to the top-<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/straight-in-1030x687.jpg\" alt=\"\" class=\"wp-image-13578\" width=\"260\" height=\"173\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/straight-in-1030x687.jpg 1030w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/straight-in-300x200.jpg 300w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/straight-in-768x512.jpg 768w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/straight-in-1536x1024.jpg 1536w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/straight-in-2048x1365.jpg 2048w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/straight-in-1500x1000.jpg 1500w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/straight-in-705x470.jpg 705w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/straight-in-600x400.jpg 600w\" sizes=\"auto, (max-width: 260px) 100vw, 260px\" \/><\/figure><\/div>\n\n\n\n<p>Straight in at <strong>No. 1<\/strong> is <strong>James Yorkston<\/strong>, <strong>Nina Persson<\/strong> and <strong>The Second Hand Orchestra<\/strong>\u2019s <a rel=\"noreferrer noopener\" href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=915079fe7c&amp;e=87a9652e50\" target=\"_blank\"><strong>&#8216;<\/strong><\/a><a href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=b5e9b729f1&amp;e=87a9652e50\"><strong>The Great White Sea Eagle&#8217;<\/strong><\/a><strong>&nbsp;<em>(left)<\/em><\/strong> (Domino Recordings), the follow up to James Yorkston and The Second Hand Orchestra\u2019s &#8216;The Wide, Wide River&#8217; \u2013 a Guardian Top 10 Folk Album of 2021. The record didn\u2019t start life as a follow up; in early 2021, Yorkston began visiting his studio in Cellardyke, Fife and for the first time, starting writing songs on the piano as opposed to his usual guitar. After sending the first five or six songs to Karl-Jonas Winqvist (the ringleader\/conductor of TSHO), they began to discuss working on the music together which led to the involvement of a guest singer and the legendary Nina Persson (The Cardigans). <\/p>\n\n\n\n<p>They followed the same methodology as The Wide, Wide River \u2013 apart from James, Nina and KJ, none of The Second Hand Orchestra had heard the music prior to entering the studio \u2013 and the arrangements were made up on the spot. Announced last week, James and Nina are confirmed in the line-up for this year&#8217;s <a rel=\"noreferrer noopener\" href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=2f33faba28&amp;e=87a9652e50\" target=\"_blank\"><strong>Cambridge Folk Festival<\/strong><\/a>.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/breabach-1030x1020.jpg\" alt=\"\" class=\"wp-image-13579\" width=\"286\" height=\"283\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/breabach-1030x1020.jpg 1030w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/breabach-300x297.jpg 300w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/breabach-80x80.jpg 80w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/breabach-768x760.jpg 768w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/breabach-36x36.jpg 36w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/breabach-705x698.jpg 705w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/breabach-100x100.jpg 100w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/breabach-600x594.jpg 600w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/breabach.jpg 1200w\" sizes=\"auto, (max-width: 286px) 100vw, 286px\" \/><\/figure><\/div>\n\n\n\n<p> Ranked among Scotland\u2019s most skilled and imaginative contemporary folk acts, <strong>Breabach<\/strong> unite deep roots in Highland and Island tradition with the innovative musical ferment of their Glasgow base. Their latest of six released albums is <a rel=\"noreferrer noopener\" href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=9ed8606c4b&amp;e=87a9652e50\" target=\"_blank\"><strong>&#8216;<\/strong><\/a><a href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=7ff1cc5940&amp;e=87a9652e50\"><strong><em>F\u00e0s&#8217;<\/em><\/strong><\/a><strong> <\/strong><em><strong> (right)<\/strong><\/em>(Breabach), a Gaelic word meaning growth, developing &amp; sprouting, which comes in at <strong>No. 22. <\/strong>Breabach are Megan Henderson (fiddle\/vocals), James Lindsay (double bass\/moog\/vocals), Calum MacCrimmon (highland bagpipes\/whistle\/bouzouki\/vocals), Conal McDonagh (highland bagpipes\/uilleann pipes\/whistle\/vocals) and Ewan Robertson (guitar\/cajon\/vocals). &#8216;<em>F\u00e0s&#8217;&nbsp;<\/em>is heavily inspired by the natural environment of Scotland and sees the band showcase more progressive elements in their music than ever before.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/bold-reynold-1030x1030.jpg\" alt=\"\" class=\"wp-image-13580\" width=\"432\" height=\"432\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/bold-reynold-1030x1030.jpg 1030w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/bold-reynold-300x300.jpg 300w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/bold-reynold-80x80.jpg 80w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/bold-reynold-768x768.jpg 768w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/bold-reynold-36x36.jpg 36w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/bold-reynold-180x180.jpg 180w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/bold-reynold-705x705.jpg 705w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/bold-reynold-100x100.jpg 100w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/bold-reynold-600x600.jpg 600w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/bold-reynold.jpg 1200w\" sizes=\"auto, (max-width: 432px) 100vw, 432px\" \/><\/figure><\/div>\n\n\n\n<p> At <strong>No. 29 <\/strong>is <a rel=\"noreferrer noopener\" href=\"https:\/\/englishfolkexpo.us2.list-manage.com\/track\/click?u=6b3c748ecdfabd7e597405245&amp;id=08ad9a7a17&amp;e=87a9652e50\" target=\"_blank\"><strong>&#8216;Bold Reynold&#8217;<\/strong><\/a> (Talking Elephant, <strong><em>left<\/em><\/strong>), an album by <strong>David Carroll and Friends<\/strong> (Gryphon\u2019s Dave Oberle, Graeme Taylor and Brian Gulland plus Fairport Convention\u2019s Chris Leslie and Dave Pegg, with Tom Spencer from The Professionals and The Men They Couldn\u2019t Hang, and Lucy Cooper). Bold Reynold puts the rock back into folk rock with seven traditional songs, a Dave Cousins classic and an epic version of The Last Leviathan. With instrumentation ranging from crumhorns, cor anglais and uilleann pipes through fiddle, tabla, bouzouki and dulcimer to bass, drums and electric guitar and all stops in between, this is a soundscape not to be missed. After appearing on numerous recordings for other people the idea of a solo album fermented over several years and, bolstered by offers of help from many good friends (including all the above!) the ideas and arrangements finally surfaced in 2022.<\/p>\n\n\n\n<p><br><strong>Congratulations to all charting artists.<br><br><\/strong><em>The Official Folk Albums Chart is compiled by The Official Chart Company and produced by English Folk Expo. The Official Folk Albums Chart Show is presented by Folk On Foot with the support of English Folk Expo.<\/em><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/radio-1.jpg\" alt=\"\" class=\"wp-image-13581\" width=\"105\" height=\"70\" srcset=\"https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/radio-1.jpg 509w, https:\/\/aata.dev\/wp-content\/uploads\/2023\/02\/radio-1-300x200.jpg 300w\" sizes=\"auto, (max-width: 105px) 100vw, 105px\" \/><figcaption>On air sign background<\/figcaption><\/figure><\/div>\n\n\n\n<p>Don\u00b4t forget, though, that you can hear not only a feast of folk &nbsp;on the airwaves but you can also hear a jelly of jazz when you tuck into Hot Biscuits from the mix cloud. Presented by Steve Bewick and Gary Heywood-Everett this week\u00b4s broadcast is a Valentines Suite of romantic jazz. Steve and gary, friends of our pages here, will include some old favourites from Chet Baker, Miles Davis and Billie Holiday, with some new contenders from John Leighton, Jill Torvaney and Jim McJannet and more besides.<\/p>\n\n\n\n<p>If this sounds interesting please share the link below with your like-minded, jazz loving friends 24\/07 so you can all join Steve and Garyfor a plate of Hot Biscuits at &nbsp;<a href=\"https:\/\/www.mixcloud.com\/stevebewick\/?fbclid=IwAR19ErqVXalWAXo2bI_PipkX3ZDEdyq2eMjJ-sESilw-Uva8ZAA49-7VnnY\">Steve Bewick&#8217;s Shows | Mixcloud<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Back in my days on the folk circuit some forty years ago there was a vast no-man\u00b4s land and some intense suspicion between traditions and contemporary folk music, much as there once was (still is?) in Jazz. UK Folk has found an arbitrator and revivalist in the English Folk Expo organisation and Jazz fans can settle their differences over Steve Bewick\u00b4s weekly eclectic mix cloud jazz presentation of Hot Biscuits.<\/p>\n","protected":false},"author":2,"featured_media":13582,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[],"class_list":["post-13569","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/13569","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/comments?post=13569"}],"version-history":[{"count":2,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/13569\/revisions"}],"predecessor-version":[{"id":13585,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/13569\/revisions\/13585"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media\/13582"}],"wp:attachment":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media?parent=13569"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/categories?post=13569"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/tags?post=13569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}