{"id":13162,"date":"2023-01-11T08:45:06","date_gmt":"2023-01-11T08:45:06","guid":{"rendered":"https:\/\/aata.dev\/?p=13162"},"modified":"2023-01-11T09:03:19","modified_gmt":"2023-01-11T09:03:19","slug":"efe-folk-in-fine-fettle","status":"publish","type":"post","link":"https:\/\/aata.dev\/index.php\/2023\/01\/11\/efe-folk-in-fine-fettle\/","title":{"rendered":"(EFE) FOLK IN FINE FETTLE"},"content":{"rendered":"\n

FOLK IN FINE FETTLE<\/strong><\/p>\n\n\n\n

reckons Norman Warwick<\/strong><\/p>\n\n\n\n

(cover photo shows) Holy Moly & The Crackers at\u00a0EFEx Showcase\/Manchester Folk Festival 2022:\u00a0Photo credit: Mike Ainscoe<\/p>\n\n\n\n

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The English Folk Expo<\/strong> (right)<\/em><\/strong> organisation is a pathfinder and pioneer for the music it supports, and EFE places itself in strong synergies with like-minded bodies that can make things happen. We received a newsletter from EFE this morning that reminded musicians that  Applications from artists wishing to perform at English Folk Expo Showcase \/ Manchester Folk Festival 2023 close at midnight on Sunday 15th January.<\/strong><\/p>\n\n\n\n

The only showcase exclusively for folk, roots and acoustic music in England, English Folk Expo invites music industry representatives from the UK and beyond to network and discover amazing artists from this broad and diverse genre. The showcase this year takes place in Manchester’s Northern Quarter, between Thursday 19th and Saturday 21st October ’23.<\/p>\n\n\n\n

It runs alongside the public Manchester Folk Festival<\/a> with most showcase performances also forming part of the public festival programme. All selected showcasing artists will receive a fee and a conference pass for English Folk Expo\u2019s new conference programme<\/a> (which will include sessions that are part of the European Folk Network<\/a> Conference running alongside the festival and showcase). Showcasing artists can also attend the English Folk Expo trade fair, free stage and late night festival club.<\/p>\n\n\n\n

Whether you are an agent wishing to put forward an artist for the events or an artist wishing to put yourself forward to perform at EFEx Showcase\/Manchester Folk Festival, apply now using the button below or through the EFEx website at www.englishfolkexpo.com<\/a>.<\/p>\n\n\n\n

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Having barely managed to catch our breath over the Christmas break, we’re back on the road again towards the end of January for a packed run of industry conferences \/ showcases,starting withYour Roots Are Showing<\/a>, Ireland’s new conference, running from 22nd-26th January in Coolshannagh in Monaghan, Ireland. TheUK <\/a>Americana Music Week<\/a> <\/strong>in London runs from 24th-26th January and before that ends, Showcase Scotland<\/a> kicks off in Glasgow, running from 25th-29th January.<\/p>\n\n\n\n


English Folk Expo CEO Tom Besford will be popping up at all events for a limited number of days.<\/p>\n\n\n\n


English Folk Expo’s Founder and Sales Director Terry O’Brien will be at Showcase Scotland throughout the event. To contact Terry to fix a meeting click here<\/strong><\/a>. <\/p>\n\n\n\n

The EFE missive also announced, retrospectively as it always does, the charts for folk albums based on last month\u00b4s sales.<\/p>\n\n\n\n

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Straight in at No.5 in the Folk Charts <\/strong>went December\u00b4s highest new entry, Black Cuillin<\/strong> (Copperfish) (right)<\/em><\/strong> from one of Scotland\u2019s most recognised and accomplished fiddle players and composers, Duncan Chisholm<\/strong>. Born and raised in the Scottish highlands, the album\u2019s inspiration came from the mountain wilderness on the Isle of Skye.<\/p>\n\n\n\n

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New at No.8<\/strong> was Endurance Soundly Caged<\/strong> by trailblazing London-based folk duo, Stick In The Wheel <\/strong>(From Here) (left)<\/em>, an album of fresh new arrangements of six songs that span past releases, recorded live. Their relentless approach to questioning traditional music forms is matched only by the energy with which they play it.<\/p>\n\n\n\n

MydWynter <\/strong>(Bellissima) is the new album from vocal ensemble Mediaeval Baebes,<\/strong> landing at No. 9<\/strong>. The collection includes several uplifting seasonal favourites yet their focus is on a darker reminder of the pre-Christian origins of the winter festival. It is a beguiling mixture of ancient music and modern arrangements, replete with a dazzling array of period instrumentation.<\/p>\n\n\n\n

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Known for their broad spectrum of folk styles, The Trials Of Cato<\/strong> release their second album (right)<\/em><\/strong>, Gog Magog<\/strong> (The Trails of Cato), in at No.10<\/strong>. Named after the mythical giant and the Cambridgeshire hilltop where the new album was birthed, the Beirut-formed trio fuse their Celtic instrumental interplay and Arabic sounds with striking new compositions.<\/p>\n\n\n\n

The cello is currently undergoing a revival in the folk world, thanks in part, to the celebrated South Korea-born cellist and Scotland resident Su-a Lee<\/strong> who releases her debut album ‘Dialogues’ <\/strong>(Su-a Lee). Landing at No.33<\/strong> it highlights the distinctive sound of her non-classical career with a series of intimate duos with fifteen of her favourite folk musicians, with each choosing a tune or song that celebrates their connection with Su-a over the years.

At No.37<\/strong> is ‘Time Was Away’<\/strong> (Robrec) from Emily Portman & Rob Harbron. <\/strong>Eight English folk songs and two 20th<\/sup> Century poems set to music combine in this unapologetically dark and yet quietly optimistic album. Themes of reliance and resistance in the face of hard times open a window into our past with tales that still resonate in contemporary Britain.<\/p>\n\n\n\n

EFE also included news of forthcoming live gigs.<\/p>\n\n\n\n

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Much loved Yorkshire folk duo Belinda O\u2019Hooley<\/strong> and Heidi Tidow<\/strong> have been propelled into newfound fame for penning the theme tune to Sally Wainwright\u2019s <\/strong>hit BBC1\/HBO<\/strong> drama \u2018Gentleman Jack<\/strong>\u2019, earning them global admiration, appearances on TV, Radio 4 Woman\u2019s Hour<\/strong> and concerts that sell out months in advance.<\/p>\n\n\n\n

Belinda and Heidi\u2019s boundless songwriting has been described by The Guardian<\/strong> as \u2018exceptional\u2019 and The Independent<\/strong> as \u2018defiant, robust, northern, poetical, political folk music for the times we live in.\u2019 Their first full studio album in seven years; \u2018Cloudheads<\/strong> delves into the mindscapes, passions and inner worlds of two highly individual autistic women; Belinda and Heidi. Moving, melodic, dramatic and tender, from stories of parenthood, the call of a song thrush, to a portrait of the last days of a touching relationship between their neighbour Matthew and his beloved Alsatian, Ted, and even a collaboration with Gentleman Jack herself, Suranne Jones on \u2018The Ballad of Anne and Ann<\/strong>\u2019, they explore, consider and connect subjects and stories in a distinctive, inventive and memorable way.<\/p>\n\n\n\n

Having the originality and skill to invite comparison with the most celebrated harmony duos, 6 Music\u2019s Tom Robinson<\/strong> says \u2018They sing together in the way families do. Normally, you only get that closeness in the voices with family bands like The<\/strong> Coppers<\/strong> or The Watersons.\u2019<\/strong><\/p>\n\n\n\n

\u2018I have just listened to your track, \u2018Beryl\u2019, with tears in my eyes! It\u2019s beautiful and brilliant.\u2019 Maxine Peake<\/strong><\/p>\n\n\n\n

 \u2018Brave, beautiful and full of love.\u2019 Martin Simpson<\/strong><\/p>\n\n\n\n

 \u2018Insightful, determinedly left-field angles on the human experience.\u2019 * * * * MOJO Folk Album of the Month<\/strong><\/p>\n\n\n\n

 \u2018Have Belinda and Heidi done it again? Certainly.\u2019  * * * * * R2  <\/strong><\/p>\n\n\n\n

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The <\/strong><\/a>John Marty<\/strong><\/a>n Project<\/strong><\/a> (lright)<\/em><\/strong> 27 Apr | Hall\u00e9 at St. Michael’s<\/strong>
Back in Manchester by popular demand is this special project where six artists come together to celebrate the music of John Martyn. Each brings their own story and connection to John\u2019s music which adds to the fabric of the overall experience of the project.<\/p>\n\n\n\n

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Niteworks<\/strong><\/a> (left<\/em><\/strong>) 12 May | The Deaf Institute<\/strong><\/p>\n\n\n\n

Childhood friends and long-term fellow musicians from the Isle of Skye, Niteworks blur the lines between Scottish traditional, folk and Gaelic music with contemporary electronica, creating a unique and exhilarating sound. The band\u2019s third studio album \u2018A\u2019 Ghrian\u2019 was released in January 2022.<\/p>\n\n\n\n


Manchester Folk Festival 2023 Early Bird Three-Day Festival Passes<\/a> are now on sale for \u00a385. Very few tickets are still available at this low early bird price. (1st release tickets \u00a390).. The Three-Day Festival Pass is the best way to take advantage of the full variety of our programme, dipping in where you feel, with full access to every gig from Thursday to Saturday. Make new discoveries and enjoy old favourites with the freedom that the Pass offers.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Having barely managed to catch our breath over the Christmas break, we’re back on the road again towards the end of January for a packed run of industry conferences \/ showcases,starting withYour Roots Are Showing, Ireland’s new conference, running from 22nd-26th January in Coolshannagh in Monaghan, Ireland. TheUK\u00a0Americana Music Week in London runs from 24th-26th January and before that ends, Showcase Scotland kicks off in Glasgow, running from 25th-29th January.<\/p>\n","protected":false},"author":2,"featured_media":13170,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[],"class_list":["post-13162","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/13162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/comments?post=13162"}],"version-history":[{"count":6,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/13162\/revisions"}],"predecessor-version":[{"id":13179,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/13162\/revisions\/13179"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media\/13170"}],"wp:attachment":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media?parent=13162"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/categories?post=13162"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/tags?post=13162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}