{"id":13101,"date":"2023-01-06T09:32:52","date_gmt":"2023-01-06T09:32:52","guid":{"rendered":"https:\/\/aata.dev\/?p=13101"},"modified":"2023-01-06T09:39:01","modified_gmt":"2023-01-06T09:39:01","slug":"all-across-americana-youre-gonna-need-a-bigger-bookshelf-book-1","status":"publish","type":"post","link":"https:\/\/aata.dev\/index.php\/2023\/01\/06\/all-across-americana-youre-gonna-need-a-bigger-bookshelf-book-1\/","title":{"rendered":"ALL ACROSS AMERICANA: you\u00b4re gonna need a bigger bookshelf, book 1"},"content":{"rendered":"\n

ALL ACROSS AMERICANA<\/strong><\/p>\n\n\n\n

Norman Warwick reminds us         <\/strong><\/p>\n\n\n\n

we\u2019re gonna need a bigger bookshelf<\/em><\/strong><\/p>\n\n\n\n

Americana is undeniably one of music\u2019s fastest-growing scenes. Whether you\u2019re a recent recruit or consider yourself an aficionado, there are always new learnings as Americana evolves; with what was once a niche pocket of artistry constantly citing new inspiration and adopting more mainstream artists keen to explore its roots.<\/p>\n\n\n\n

Here, we give an overview of the Americana scene, its origins, the exponential growth it\u2019s experiencing and discover how the Americana Music Association UK champions its artists.<\/p>\n\n\n\n

What defines Americana might need a bit of explaining. although the explanation maybe still isn\u2019t so clear-cut. Not so much a genre in itself, see Americana as more of an umbrella label encompassing an extensive array of musical styles.<\/p>\n\n\n\n

The Americana Music Association (AMA) explains that Americana as \u2018contemporary music that incorporates elements of various American roots music styles, including country, roots-rock, folk, bluegrass, R&B and blues, resulting in a distinctive roots-oriented sound that lives in a world apart from the pure forms of the genres upon which it may draw. While acoustic instruments are often present and vital, Americana also often uses a full electric band.\u2019<\/p>\n\n\n\n

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In a recent interview with  OfficialCharts.com<\/strong><\/a>, Americana icon Lucinda Williams (left)<\/em><\/strong> concurred that the genre can often prove difficult to define. \u201cI think it’s confusing for some people,\u201d she said. \u201cIt’s easier to pinpoint if you’re in the industry,” she says. “For me, in the beginning when it first established, it appeared to be anything that wasn’t more commercially accepted.<\/p>\n\n\n\n

“It was the stuff that fell through the cracks; the songs that didn’t get a lot of radio play. It was the anti-commercial genre.\u201d<\/p>\n\n\n\n

Americana music originated in the nineteenth and twentieth centuries. The first commercial recordings of blues music, for instance, were made in the 1920s and \u201830s; though the true origins of the blues genre can be traced back to the songs of African American workers<\/p>\n\n\n\n

Again, country music became recognised as a commercial genre in the 1920s, while the late 1940s are often deemed the commercial beginnings of bluegrass.<\/p>\n\n\n\n

A state steeped in music history, Alabama is a true mecca for Americana fans. FAME Studios and Muscle Shoals Sound Studios are both considered essential touchstones to the movement and growth of the Americana genre, and Alabama birthed genre greats like Hank Williams (often called Americana\u2019s first superstar act) and W.C Handy, who is widely credited as the father of the Blues.<\/p>\n\n\n\n

Not only is it the home state of some of the scene\u2019s most influential names \u2013 including Nat King Cole, The Commodores and Lionel Richie, Candi Staton and Wilson Pickett \u2013 but it also boasts some iconic venues.<\/p>\n\n\n\n

Take Huntsville, Alabama\u2019s incredible new Orion Amphitheater, for instance. A stunning new for 2022 destination, it\u2019s set to play host to the likes of acts like Stevie Nicks and Luke Bryan this October. Discover more about Orion Amphitheter here<\/a>.<\/p>\n\n\n\n

Throw some names at me \u2013 who\u2019s big on the Americana scene right now?<\/p>\n\n\n\n

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Americana\u2019s influence on the modern music scene cannot be overstated, and some of the biggest acts in the world right now have pulled from the genre to great success.<\/p>\n\n\n\n

Chief among them is Taylor Swift (right)<\/em><\/strong> \u2013 one of the most accomplished songwriters of her generation \u2013 whose two UK Number 1 albums Folklore and Evermore carry a heavy Americana influence, obvious to fans given the records\u2019 focused on intense lyricism and narrative.<\/p>\n\n\n\n

Miss Americana\u00a0\u00a0(also known as\u00a0\u00a0Taylor Swift: Miss Americana\u00a0) is a\u00a0documentary film<\/a>\u00a0, directed by Lana Wilson, that follows the life of American singer\u00a0Taylor Swift<\/a>\u00a0through several years of her career. The film debuted on the opening night of\u00a0\u00a0the 2020 Sundance Film Festival<\/a>\u00a0on January 23, 2020, and was released on\u00a0\u00a0Netflix<\/a>\u00a0and in select theaters on January 31, 2020.<\/p>\n\n\n\n

Netflix described the film as “a stark and emotionally revealing look at Swift during a transformative period in her life as she learns to embrace her role not just as a songwriter and performer, but as a woman harnessing the full power of her voice.” .\u00a0\u00a0Upon its release, it became the highest-rated Netflix Original Biographical Documentary Film by an artist in the history of\u00a0\u00a0IMDb<\/a><\/p>\n\n\n\n

Indie darling Phoebe Bridgers has also seen success on the Official Americana chart with her solid sophomore album Punisher, and rock band The Black Keys have continued to draw influence on Americana throughout their career (as on Number 1 record Fallout Boogie)  and all-time great Dolly Parton\u2019s recently issued album Run, Ruby, Run carries a distinct Americana tone and feel.<\/p>\n\n\n\n

British acts aren\u2019t left out, either; Hampshire born singer-songwriter gained a hit with his ninth album FTHC (Frank Turner Hardcore) and previously picked up the prize for Best Selling Americana Album with No Man’s Land at the Americana Music Association’s UK Americana Awards back in 2019.<\/p>\n\n\n\n

Formed in 2012, the AMA UK aims to provide a refuge for Americana artists, championing their work and promising a secure space within the music industry.<\/p>\n\n\n\n

CEO Stevie Smith offered a deeper insight into the Association, and why it\u2019s so important to artists it assists.<\/p>\n\n\n\n

 \u201cThe AMA was started by two booking agents back in 2012, who wanted to make the genre more accessible for artists and make the genre easier to understand to audiences. The AMA in Nashville was the fastest-growing music association in the USA at the time, so we knew it could work here too.\u201d<\/em><\/p>\n\n\n\n

Americana\u2019s such a thriving scene. Did the growth of AMA UK take you by surprise?<\/p>\n\n\n\n

\u201cThe rate of growth was really fast – it was instantly clear people wanted what we were doing. Artists who had been falling through the cracks suddenly felt they had a home, and agents and promoters quickly realised the Association helped them create buzz around shows and tours. The start of Americanafest and the official chart in 2016 was the tipping point that meant things grew rapidly. We now have over 1000 members.\u201d<\/em><\/p>\n\n\n\n

What have been your personal highlights over your years as AMA UK CEO?<\/p>\n\n\n\n

\u201cLaunching the Official Americana Chart was a huge highlight. I come from a retail background, and I used to own a record store, so I knew how much a chart would make the genre a talking point; helping to boost sales of CDs and vinyl. It also legitimised the genre for radio and reviewers.<\/em><\/p>\n\n\n\n

\u201cAnother huge highlight was moving our awards to the Hackney Empire in the third year – that year Robert Pant was the recipient of the Lifetime Achievement Award and Mumford & Sons were the Trailblazer Award recipients  – they ended the show by playing Gallows Pole together, which was an incredible moment that was only decided during the soundcheck. Live music magic happened that night, and everyone in the room knew it!\u201d<\/em><\/p>\n\n\n\n

bookshelf logo<\/strong><\/p>\n\n\n\n

WE\u2019RE GONNA NEED A BIGGER <\/strong>BOOKSHELF<\/strong><\/strong><\/p>\n\n\n\n

FOR BOOK 1<\/strong><\/p>\n\n\n\n

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Americana Music *see top of page<\/strong><\/p>\n\n\n\n

(John and Robin Dickson<\/strong><\/p>\n\n\n\n

sponsored by the Center for Texas Music History,<\/strong><\/p>\n\n\n\n

Texas State University) Hardcover \u2013 January 23, 2019<\/strong><\/p>\n\n\n\n

by <\/strong>Lee Zimmerman<\/strong><\/a>  (Author)<\/strong><\/p>\n\n\n\n

Part of: John and Robin Dickson Series in Texas Music, sponsored by the Center for Texas Music History, Texas State University (17 books)<\/a><\/p>\n\n\n\n

With roots in Appalachia, the Mississippi Delta, New Orleans, the Piedmont, Memphis, and the prairies of Texas and the American West, the musical genre called Americana can prove difficult to define. Nevertheless, this burgeoning trend in American popular music continues to expand and develop, winning new audiences and engendering fresh, innovative artists at an exponential rate.
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As Lee Zimmerman illustrates in Americana Music: Voices, Visionaries, and Pioneers of an Honest Sound, \u201cAmericana\u201d covers a gamut of sounds and styles. In its strictest sense, it is a blanket term for bluegrass, country, mountain music, rockabilly, and the blues. By a broader definition, it can encompass roots rock, country rock, singer\/songwriters, R&B, and their various combinations. Bob Dylan, Hank Williams, Carl Perkins, and Tom Petty can all lay valid claims as purveyors of Americana, but so can Elvis Costello (left)<\/em><\/strong>, Solomon Burke, and Jason Isbell. Americana is new and old, classic and contemporary, trendy and traditional.<\/p>\n\n\n\n

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Mining the first\/hand insights of those whose stories help shape the sound\u2014people such as Ralph Stanley, John McEuen (Nitty Gritty Dirt Band), Chris Hillman (Byrds, Flying Burrito Brothers), Paul Cotton and Rusty Young (Poco) (right),<\/em><\/strong> Shawn Colvin, Kinky Friedman, David Bromberg, the Avett Brothers, Amanda Shires, Ruthie Foster, and many more\u2014 Americana Music provides a history of how Americana originated, how it reached a broader audience in the ’60s and ’70s with the merging of rock and country , and how it evolved its overwhelmingly populist appeal as it entered the new millennium.<\/p>\n\n\n\n