{"id":1268,"date":"2020-03-31T11:26:27","date_gmt":"2020-03-31T10:26:27","guid":{"rendered":"https:\/\/aata.dev\/?p=1268"},"modified":"2020-04-01T09:09:21","modified_gmt":"2020-04-01T08:09:21","slug":"the-art-of-survival-artist-sandra-kinghorn-talks-to-norman-warwick-from-a-social-distance","status":"publish","type":"post","link":"https:\/\/aata.dev\/index.php\/2020\/03\/31\/the-art-of-survival-artist-sandra-kinghorn-talks-to-norman-warwick-from-a-social-distance\/","title":{"rendered":"THE ART OF SURVIVAL: artist Sandra Kinghorn talks to Norman Warwick, from a social distance."},"content":{"rendered":"\n

THE\nART OF<\/strong>\nSURVIVAL<\/strong><\/p>\n\n\n\n

Artist,\nSandra Kinghorn, talks to Norman Warwick<\/strong><\/p>\n\n\n\n

\"\"
the totem pole<\/figcaption><\/figure><\/div>\n\n\n\n

The colourful, ceramic tiling that creates an image of a totem pole beneath the symbol of the head of a Native American Indian chief,  stands fixed to an outside wall of the house and is perhaps the clearest signal that here lives an artist. The light and spacious layout of the living room, with original paintings and pieces of art, is another signpost telling us that this is an artist\u00b4s residence.<\/p>\n\n\n\n

The house is on the community complex of\nShangrila Park in Playa Blanca, Lanzarote, tucked away in a quiet,\nmulti-cultural nook of the area. Although Sandra Kinghorn had lived here on\nLanzarote for a number of years before that, she moved into this house only a\nfew weeks after my wife Dee and I first came to live here in the house opposite\nher on Shangrila. We learned in early conversations with her that,\ncoincidentally, we had been quite close neighbours for several years a few\ndecades ago in the UK when Sandra\u00b4s parents lived on Gigg Lane, as owners of\nthe chippy I used to visit once a fortnight when going and sitting in the\nwooden stand \u00b4for boys\u00b4 when watching the Bury FC of the Colin Bell era play\nfootball on what was then the best pitch in the UK, bar none. Gone the pitch,\nand sadly now, gone the club.<\/p>\n\n\n\n

Although we didn\u00b4t know each other in those days we do have some shared memories of those places, times and even have one or two mutual acquaintances from that period. Over here, though, Sandra has proved to be a great neighbour; always cheerful, always helpful and perhaps because \u00b4it takes one to know one\u00b4 her repartee takes me on at my own game of one-liner put downs ! We have, on several occasions, visited arts exhibitions together in Cic El Almacen in Arrecife and at La Ermita, the tiny church gallery in Tias and have, too, visited together a few cultural events such as The Artisan Festival in Mancha Blanca and various events in Yaiza and also enjoyed a long, slow lunch one day on the Marina listening to a live flamenco fusion group.<\/p>\n\n\n\n

These days, of course, our friendship is\nof one controlled by the threat of coranavirus and is therefore one of shouted\nconversations conducted by each of us from behind our respective garden walls\nor from our rooftops across the alley from each other. It was the late American\nPoet, Robert Frost who in his poem Mending Walls questioned his own neighbour\nfor saying \u00b4good fences make good neighbours\u00b4 but Sandra\u00b4s dog, Bene, seems to\nagree with the poet\u00b4s neighbour and sits guarding the wall and her property\nfrom cats and nosy neighbours like me. He steps back and allows my wife on to\nthe property, although, like me he grumbles and growls whenever she gets too\nclose to him.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

It struck me the other day how many people will be finding solace in the arts during these days and nights of lockdown. Many will be finding comfort and friendship from their radio with the likes of Classic FM although I may be stereotyping my own generation in saying that as they might just as equally be watching re-runs on Sky <\/strong>Arts of Keith Moon smashing up drum kits. And it has been uplifting, of course, to see some multi-generational artistic creations on social media.\u00a0 I have sat enthralled watching special \u00b4virtual\u00b4 recordings by the likes of The Staves and by First Aid Kit, whilst my son in South Korea has been watching New Mexico guitarist Raul Midon. In thinking of all this I found myself wondering if Sandra, too, was finding the arts to be of great comfort in these times when a trip to the nearest shop is, for most of us, the highlight of the day even if a weird, eerie and slightly scary adventure.<\/p>\n\n\n\n

\"\"
Norman Evans, from Rochdale<\/figcaption><\/figure><\/div>\n\n\n\n

In one of our recent chats \u00b4over the garden wall\u00b4, as we impersonated those wonderful Jimmy Jewel and Norman Evans routines, I introduced Sandra to the invisible five bums at the bar, the name writers give to the five open questions that are such powerful tools in all interrogations. So called because the lay out, in different fonts, of a row of five of the letter w on a line across a piece of paper resembles the back view of five bums on stools leaning at the bar. These five bums though, are, really, those intelligent and probing interviewers Messrs Who, What, When, Where And Why and after I had explained that to Sandra, she agreed to let me send her the questions via e mail and said she would reply to them so that I could put together this article for Sidetracks and Detours.<\/p>\n\n\n\n

I\nbegan by asking WHO<\/strong> is Sandra Kinghorn?<\/p>\n\n\n\n

\u00b4Sandra Kinghorn is lady who lives by the phrase, Una jubilada,\u00b4 her return e mail told me, before going on to explain that \u00b4this great phrase encompasses what it should feel like to be retired! I moved from living in the beautiful Rossendale valley in Lancashire to living in Playa Blanca on the beautiful island of Lanzarote. I can\u2019t decide if the 16 year old me would be pleased or disappointed with the end result!\u00a0 I do know that the today me would tell the youngster how vital it is to discover your love \/ talent and pursue it for all that you\u2019re worth and take every opportunity which comes your way.\u00b4<\/p>\n\n\n\n

WHAT\n<\/strong>is\nthe favourite art form, I wondered, of this lady who I know works in several\ndisciplines.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

\u00b4Although I enjoy music, theatre and the written word, it\u2019s the visual that has that attraction for me,\u00b4 she wrote in reply, \u00b4like painting and sculpture in the classical arts. As a little girl, I loved to draw or paint, but never followed formal instruction at school. I came across photography later in life, did my City and Guilds and even managed to win a competition or two. The DIY element of old fashioned black and white photography really appealed- the wonderfully glamorous studio photographs of the old Hollywood stars, like Marlena Dietrich. No Photoshop for them, the manipulation and correction was all done meticulously by hand. However, I was once on a safari in Kenya, loaded down by three cameras no less, when I realised that I was in danger of not actually SEEING anything at all. Nowadays, I don\u2019t take photographs much but like to store the images inside my head.\u00b4<\/p>\n\n\n\n

You talk about having loved to draw and\npaint when a little girl, so is that WHEN<\/strong>\nyou first fell in love with the arts? <\/p>\n\n\n\n

\u00b4I think that it\u2019s a gradual thing that\ndevelops throughout your life, much like everything else I suppose. It has\nnever ceased to surprise and please me whenever I manage to produce something\nworth looking at, not to mention the astonishment if someone else likes it too!\u00b4<\/p>\n\n\n\n

I know that Sandra has travelled a good\ndeal in her life, so I ask WHERE<\/strong> the\narts have led her over the years in both the geographical and spiritual sense.<\/p>\n\n\n\n

\u00b4You don\u2019t have to go very far here in\nLanzarote to be visually stimulated,\u00b4 Sandra told me. \u00a8whether it be in the\nlandscape or in one of the many exhibitions. I cannot think of another small\nisland with this vibrancy. I really hope that the ethos of Cesar Manrique\nthrives because whether you empathise or not, I cannot think of another place\nwhich has this inheritance. Cuba comes to mind as another place I have visited with\na similar inherent love of music, heard just about wherever you go, and a real\nzest for life!<\/p>\n\n\n\n

\"\"
Ansell Adams image <\/figcaption><\/figure><\/div>\n\n\n\n

I vividly remember a personal journey to visit the Ansell Adams gallery in Yosemite National Park. He was responsible for amazing black and white photographs of the landscape there. I can still see some of them in my mind\u00b4s eye. He used silver halide printing to give amazing contrast and definition to his pictures. If you look in Wikipedia, his talents were legion.\u00b4<\/p>\n\n\n\n

Like Sandra I, too, am, a great admirer of Adams\u00b4 work, having been made aware of it through references to him by some of my great American singer writer interviewees such as John Stewart and Townes Van Zandt. My former writing partner in Just Poets, Pam McKee, and her husband Rob, had Adams\u00b4 anthologies on their book shelves. His photography, like the great artists such as Hopper, like the great composers such as Copeland and Gershwin and the great authors like Kerouak and Steinbeck not only reflected their country but somehow shaped its history and mythology too.<\/p>\n\n\n\n

So I ask Sandra WHY<\/strong> the arts are so important to the lives of so many of us,\nwhether we are practitioners, aspirants or mere spectators.<\/p>\n\n\n\n

\u00b4I can\u2019t imagine the world ANYONE would\nwant to inhabit if you couldn\u2019t enjoy the means to lift your spirits and soothe\nthe soul,\u00b4 Sandra submitted as a considered reply. \u00b4The virtual world of\nconcerts, galleries, books etc means that a wealth of enjoyment is still at our\nfingertips, even if we are confined to our homes. It is just possible, if we\nuse this \u2018quiet time\u2019 positively, that we may find something new to investigate\nwhen the world is open for us again.\u00b4<\/p>\n\n\n\n

\"\"
where imagination begins<\/figcaption><\/figure><\/div>\n\n\n\n

Sandra designed and painted a house sign proclaiming that this new home for me and my wife Dee be called NormanDee, just as our home in the UK had been for more than forty years. We had a grand unveiling on the patio and the sign was erected by Sandra and her woman-with-a-drill friend, Susan. We also have four Kinghorn originals adorning our interior walls, though Sandra freely admits that a couple of these are attempts to copy the styles of one or two relatively little-known professional artists here on the island.<\/p>\n\n\n\n

Colin Lever, my own former song-writing partner in Lendanear, has even spent his lock down days on Jersey in The Channel Islands, setting some of my old songs to video, and You Tubes are now available of Lever \/ Warwick material such as Southern Comfort, Last Boat Home and Rara Avis. We have also released a newly re-mastered album. Two Islands contains a dozen or so new songs and is now available with our back catalogue at www.lendanearmusic.com <\/p>\n\n\n\n

So, Sandra is not the only person creating arts, and crafts, here on Lanzarote. Even my wife Dee here at 60a has caught from Sandra, and another friend Sam, the bug of crafting hand made Christmas and Birthday cards. Sandra, Sam and Dee do not only have in common a love of the arts but are also three of the cheeriest people I know. Hardly a coincidence ! And, as her contrived image below (un) clearly illustrates, Sandra is seeing her relationship with the arts as clearly as ever !<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

THE ART OF SURVIVAL Artist, Sandra Kinghorn, talks to Norman Warwick The colourful, ceramic tiling that creates an image of a totem pole beneath the symbol of the head of a Native American Indian chief,  stands fixed to an outside wall of the house and is perhaps the clearest signal that here lives an artist. […]<\/p>\n","protected":false},"author":2,"featured_media":1276,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,9],"tags":[],"class_list":["post-1268","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aata","category-visual-arts"],"_links":{"self":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/1268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/comments?post=1268"}],"version-history":[{"count":0,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/posts\/1268\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media\/1276"}],"wp:attachment":[{"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/media?parent=1268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/categories?post=1268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aata.dev\/index.php\/wp-json\/wp\/v2\/tags?post=1268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}